Graduates 2024: Greta Carroll: Digital Music and Sound Arts

 

greta carroll

“I have loved my tutors and the technicians and how inspiring they are. I have learnt so much and now I know the ins and outs of both the history of sound; I’ve enjoyed learning to record the sound of electricity and having a deep knowledge of artists and what they do. I’m dyslexic and had very low confidence in myself all my life. I feel the course has really freed me up and I feel I can hold my own now in a conversation in sound and electronic music.”

 

Tell us a bit about your work

“Here is my artist bio: Experimental pop musician and producer and performer CURRENTMOODGIRL makes sounds that dance between the dark and the light, resembling her the industrial landscape of Manchester, her Northern hometown. Utilising electrical pick-ups and dark, glitching synths, she creates textured soundscapes melting together with her siren-like but raw vocals, her rhythmic beats and anchoring basslines eminently danceable.

“CONTACT is about connections and the means of control between ourselves, our bodies, our minds, and one another. Manifested through sound, movement, and visuals, it is a multidimensional live performance intended to be experienced in the flesh. The work involves a self-made touch sensitive dance pole as an instrument which captures the sensory movement of the body. CONTACT is a sonic experience of electronic music and sound performance presented through a 5.1 soundsystem, transforming our visual sensibilities and challenges our societal idolisation of fragility and the female form. The performance grew out of the heavenly and broken unravelling of the self, trusting one’s own body, sexuality and celebrating being alive through the bad, the good and everything in between.”

CONTACT was performed at the Graduate Show.

greta carroll

greta carroll

 

What made you choose your course?

“I have been a musician for many years, and I was feeling dissatisfied with how limiting it was and I felt unfulfilled. I found the course when looking for alternative music and sound production courses. As an artist whose work spans numerous mediums, I needed something wild and unconventional that questions everything and uses abstract techniques to create sound. When I discovered DMSA, I immediately felt like I belonged there.”

Can you tell us about your favourite part of your studies and how it helped the development of you and your practice?

“I have loved my tutors and the technicians the most on the course and how inspired thay have left me. I have learnt so much and now I know the ins and outs of both the history of sound, all the facts and scientific stuff about sound too. For example Iv enjoyed learning to record the sound of electricity and having a deep knowledge of artists and what they doo.

“I’m dyslexic and had very low confidence in myself all my life. I feel the course has really freed me up and I feel I can hold my own now in a conversation in sound and electronic music.”

Can you tell us about any staff who particularly inspired you?

“All of them in different ways, its great to have a woman as the course leader Johanna Bramli has really looked after me, I feel she has been there for me alot.

“Stephen Mallinder is is a uplifting person to be around, he’s helped me lots to have more confidence in my writing and studying I’ve always struggled with  reading and studying as Ijust have never felt good enough but Mal has always picked things for me that suit me as female artist and I’ve really enjoyed that part of my course witch was unexpected.

“Caleb has been really inspiring, his classes are the most fun for me. I took a lot from him in my exploring new sounds, he understands the way I make music, and helped me dive more into the weird side of sound.

“And our technician Paul, he’s taught me lots of production and mixing techniques and taught me how to play the modular synth and use other equipment.

“I feel all the staff have given different things to me so I am going away from this with so much, I feel like Digital Music and Sound Arts BA(Hons) (brighton.ac.uk) can do anything now.”

Can you tell us your plans after graduation?

“I’m planning to move to London and work more on my music. I would like to do a residency to further my practice, I’m also going to be doing some sound workshops. I’m thinking of doing a masters but I need a little break first to reset from all this madness.”

Finally if you could give your 17 year old self any advice about going to university what would it be?

“I’m a older student so I came to uni at 31 years old. I’m glad I waited, I think that was the best thing I would do I also have been against uni for as long as I new so this was a big surprise i never thought I would do, i would say to myself that just cos I had a horrible time in education before this. But uni is different and I shouldn’t let my dyslexia and mental health stop me from thinking I’m any less than anyone else.”

Instagram @currentmoodgirl_ 

Spotify: https://open.spotify.com/artist/24pePTKrry9Zv7xrmHRqF7

Bandcamp: https://currentmoodgirll.bandcamp.com

Facebook: https://www.facebook.com/CURRENTMOODGIRL/

 

Greta Carroll was the winner of the 2024 Outlands Prize.

Find out about studying Digital Music and Sound Art at Brighton.

DMSA Showreel 2024

including works from: Miles M Reid // Error_0_X106 – The Arcade Project Daithí Donnelly // Electronic Child – Rhythm: In Potentia Greta Carroll // currentmoodgirl – Contact Jude Bowden // Bleedinhart – Neuromancer Avery Laverty Caldwell // Minkgirl – A Little Witch Betwixt the Here and There Denis Sapuntsov – Echoes Bertie Myhill – Bird Talk Denette Lowry // Foamswords – The Moon and Back Harvey Penfold – Home in a Feeling Kristan Brown // Minxxyy – Escapism B. B. Martin // Slitlamp – Puretone Luca Lycksten-Miselbach – Metal Memoir Chloe Lubinska – Visualising Sonic Soundscapes Dante Ombima // DayC 3 – Feet Follow the Flower Owen May-Jones – Echos of Time EDITING: MILES M REID ORGANISATION/FILMING: CHLOE LUBINSKA & BERTIE MYHILL GRAPHIC DESIGN: DENIS SAPUNTSOV

 

 

Graduates 2021: Alex Lewis-Whitaker: Digital Music and Sound Arts BA

“Many courses in this area seemed more focused on the technical considerations within a recording studio whereas Brighton allowed me to interpret the course how I wanted to and take it in my own direction. It was clear from attending the open day that there was an emphasis on pushing boundaries in terms of both content and format, so it was exciting to see how the initial ideas for my final project evolved, under the guidance of my tutors, into the multi-dimensional experience that it became.”

 

Hi Alex – please tell us a bit about your work and your influences

“I am an audiovisual artist from south-west London, currently exploring the complications surrounding cultural identity in a globalised world and the necessity for a kind of truthful meta-culture within a multicultural society. My final project, Wɔpo, is a digital mindmap and live performance that illustrates a building of bridges between my ancestral lineages of British and Asante (Ghana). A portmanteau of the vocal-oriented ‘doo-wop’ music of mid-20th century African-American communities and ‘ɔpo’, the Asante-Twi word for ‘ocean’, Wɔpo seeks to amplify the voices of ancestors which (appear to) have been drowned out across the Atlantic passage. Despite a resolve to respond to these calls for ‘Sankofa’, whereby the wisdom of your ancestors becomes a guide for your future, Wɔpo makes light of such problems as ‘double-consciousness’ and the lack of writing systems that document sub-Saharan cultures from the emic viewpoint. It is a journey through ancient myth, religion, ritual, proverb, etymology, conspiracy, and diasporic history, narrated through an immersive and semi-improvisational multimedia performance. Though the performances have come to an end for now, the mindmap and clips from the performances will soon be accessible via the online degree show and my website.

“My preceding audiovisual project, Morgo, was recently broadcast as part of The Joyous Thing, hosted by the experimental music network Outlands, which was an exciting experience made possible thanks to my tutors and the DMSA network.”

How have you found your course and time at Brighton?

“Over my time at Brighton I feel that I have matured much quicker than I would have otherwise, both as a person and as an artist. I have been lucky to receive so much attention from my tutors given the small scale of my course and their unwavering enthusiasm for advising all of us on our projects. My proximity to the sea, particularly throughout my third year, has also had a positive psychological effect while attempting to complete my work under what were frustrating unforeseen circumstances. The highlights of my time here include our ‘DMSA Night’ in second year, where I was given the opportunity to perform alongside my coursemates at Komedia, and more recently the final day of ‘private views’ for our final projects, which included a touching surprise celebration of our efforts, to round out our time here.

How did you choose your course – why did you choose to study Digital Music and Sound Arts BA?

“Fine art had been my passion at school ever since I was little, and I continued with it at A-Level, but I wanted to add audio into my creative practice so I looked for courses that offered me the possibility of working in both the aural and visual realms. Many courses in this area seemed more focused on the technical considerations within a recording studio whereas Brighton allowed me to interpret the course how I wanted to and take it in my own direction. It was clear from attending the open day that there was an emphasis on pushing boundaries in terms of both content and format, so it was exciting to see how the initial ideas for my final project evolved, under the guidance of my tutors, into the multi-dimensional experience that it became.”

What are your plans after graduation?

“I will return to London and continue to play with this idea of ‘performing’ the research of my projects rather than presenting only the project itself, but in a more accessible format than the private views I did in the DMSA studios, such as adapting it for my YouTube channel. This research is likely to go deeper into ancient African empires, cultures and mythologies and attempt to answer some of the difficult questions put forward in Wɔpo, while also ensuring my art and music is original but still authentic to its cross-cultural roots. I am also considering doing an MA degree while in London but I have only been able to go to online open days so I’m still hesitant to make a decision on that front.”

Visit Alex’s website

Follow Alex on Instagram @alexlw.art

Check out Alex’s YouTube: Alex Lewis-Whitaker

Check out Alex on Spotify: Alex Lewis-Whitaker

The Space in Sound – Lighthouse 25th March

Lighthouse presents The Space in Sound: a day of talks and an evening performance exploring ways sound can occupy space.

This will take place at The Old Market on 25th March 2020.

They’ve offered us a discounted group price of 10 tickets for the price of 9. If we do a group booking this would mean we could get tickets for the symposium and the evening performances for £22.50 per person.

Please get in touch with me if you’re interested in taking advantage of this discount.

A day of talks and an evening performance exploring ways sound can occupy space

http://www.lighthouse.org.uk/programme/the-space-in-sound

WARM UP FESTIVAL call out

WARM UP FESTIVAL

ARTIST CALL OUT
 
We are looking for emerging artists/designers to showcase at our event and have small grants available. Our deadline for applications is 20th Feb 2020.

Warm Up Festival, Aug 21-23 2020, is a new three-day music festival set in the pine forests of Hertfordshire: 
https://www.warmupfestival.co.uk/.

Our vision is to engage all the senses in an immersive environment by bringing captivating contemporary art to our woodland setting. We are looking for art in the form of unique sculptural works, curious installations, bespoke light pieces, performance art, and video work either pre-existing or site-specific proposals.


‘Home is where the house is’ is our family motto. As such, we are particularly interested to find artists that explore the concept of ‘home’ because community is at the heart of our festival. A take on the theme can be abstract or entirely literal. We are also open to other artworks/proposals that do not necessarily adhere to this concept.


Warm Up is a visionary pillar of the London club scene, earning itself a reputation as one of the most respected dance music communities in the city, famed for its legendary parties, welcoming atmosphere and forward-thinking sound palette, representing the best in techno, house, progressive and electronica.
 
Please send proposals to: karen.wuf@gmail.com

AUDINT UNSOUND: UNDEAD 23rd Jan 2020 @ Fabrica, Brighton – BOOK NOW (free to DMSA students)

Don’t miss out: Free to All DMSA Students!

(Non-DMSA Tickets: Workshop £8/5 concs. Evening £8/5 concs. Combined ticket: £12/8 concs.)

AUDINT
UNSOUND: UNDEAD
A daytime workshop with evening performances from the sonic arts group AUDINT and their affiliates.

AUDINT is a London-based art collective operating across the fields of sound, performance, theory/fiction, film and installation. Following recent exhibitions and performances at Spike Island and Tate Britain, this event opens a window into the themes explored in their recent Book UNSOUND: UNDEAD. Working at the intersection between the latest sonic theory and practice, AUDINT push contemporary sonic making and thinking into new realms, between the real and the fictional, the living and the dead.

This workshop and live event extend the collective’s research with performances and presentations from AUDINT members and collaborators, including Eleni Ikon, Agnès Gayraud, Jenna Sutela, and Anne Duffau (TBC)
www.audint.net

Afternoon seminar // 2-4pm // SPECIFIC DISSONANCES
Eleni Ikoniadou, Al Cameron and Caleb Madden will explore the perceptual and cultural peripheries of the sonic in a seminar based around contributions to the recent AUDINT – UNSOUND: UNDEAD book.

For the past ten years the group has been researching the periphery of sonic perception (unsound) and its potential to activate a continual intersection between fiction and fact, pressuring thought to become something other than what it has been. The group’s recent volume Unsound: Undead collates 64 new essays to probe how unsound serves to activate the undead. Contributors from a variety of disciplines chart these warped zones, mapping out a zigzagging timeline stretching from the 8th century BC (the song of the Sirens), to 2013 (acoustic levitation), and speculatively extending into 2057 (the emergence of holographic and holosonic phenomena).

Evening event // 7:30-11:30PM // UNSOUND: UNDEAD * brief descriptor for each act to follow.
A series of live performance:
Eleni Ikoniadou and Caro: The Lament – (voice and live electronics)
Agnes Gayraud – (voice and glossolalia piece)
Jenna Sutela, and Anne Duffau
Harrga

TO BOOK YOUR PLACE EMAIL: s.w.mallinder@brighton.ac.uk

ADDITIONAL LINKS:

Eleni Ikoniadou is a member of AUDINT and Senior Tutor in Visual Communication at the Royal College of Art. Her research is situated at the intersection between computational culture, theory-fiction and audiovisual practice. Her latest monograph is The Rhythmic Event: Art, Media, and the Sonic (MIT Press, 2014). She is co-editor of the Media Philosophy… Read more »
www.urbanomic.com

https://www.urbanomic.com/book/unsoundundead/

For as long as recording and communications technologies have existed, the potential of the vibrational continuum that connects sound to infrasound, ultrasound and other inaudible frequencies has been evoked to access anomalous zones of transmission between the realms of the living and the dead. For the past ten years the AUDINT group has been researching…
www.urbanomic.com

 

DMSA: DEBUTANTS

Monday 9th December 2019, 8pm
KOMEDIA, Brighton | MAP
FB Event Page

EXPERIMENTAL | LIVE PERFORMANCES | ELECTRONICA | DJ’S

DMSA:Debutants is a showcase of live music performed by students from the Digital Music and Sound Arts course at the University of Brighton.

An event that will encompass a wide range of different sonic and visual material, with live acoustic and electronic music – DMSA:Debutants is a celebration of sound without the constraints of genre.

8PM-1AM
£3 OTD

INCLUDING:
___________________________________
Experimental Music
Live Performance
DJ Sets
Acoustic Sets
Noise Music
Ambient Music
Techno Music
Projections

PERFORMANCES:
____________________________________
Meller & Jared Swift
Ike Goldman
Aidan
Hippo Island
MAL
Cyphon & OBZERV

DJs:
_____________________________________
Patrick Mckeever Crowcroft
Jack James
Finley Mist

Professional Practice Masterclass: Fraser Owen

Monday 18 November, 5.30pm
Performance Studio, GP

We are happy to have Fraser Owen, one of our current students presesenting on our next masterclass. Fraser, under his alias Vince Vanity, has been producing cutting edge electronic music combined with drag performance and visuals.

For this masterclass Fraser will guide us through his experience combining these mediums, performing as a queer artist, and developing artistic identity.

Follow Fraser on instagram: https://www.instagram.com/vince.vanity/

Professional Practice Masterclass: Akiko Haruna

Monday 28th October
5.30-7pm, Performance Studio

We are extremely happy to have Akiko, one of our alumni, back to give a masteclass on her practice. Akiko has emerged into the sound world from a background in performance. Entering the dance industry at the age of 16, she has worked for mainstream pop artists such as John Newman and AlunaGeorge in videos that have received tens of millions of views. Throughout this time period, she has worked for the Universal Music group, Island Records, the BBC and Sky. Akiko has won a prestigious Nagoya Award of Excellence for her degree show piece titled 記憶 (Memory).

About the masterclass
The masterclass will cover the delicate relationship between self value, creativity and ego. More specifically, the focus will be on the students and how they will approach professional work after DMSA. I will speak about my experiences working freelance in the sound industry and the mental and financial demands that come with it. We will explore options of how they can prepare now, to help them navigate through the transition from university into the industry in the future.

About Aki
Sound and Audiovisual artist Akiko Haruna constructs experimental sound and vision for the moving image. In her projects as a musician, Akiko dances along to a wandering beat. With cutting drums that tear through delicate sound design and flashes of extravagant melody, her dizzying sonic constructions are constantly evolving. Her musical works gained her a place at the 2018 Red Bull Music Academy in Berlin, after which she has been working on multiple projects including her release with Where To Now? Records earlier this year.
https://vimeo.com/akikoharuna

OUTLANDS Presentation

Thursday, October 31st
5.30pm, Performance Studio, GP

We are happy to have Caleb Madden of OUTLANDS to do a presentation to our students on the project’s upcoming events with QUJAKU (JP), IMPATV (UK) and GROUP A – DEAD SLOW AHEAD, and inform them on how they can get involved.

More info about the events and the artists

A rock gig with a difference – Japanese four-piece band Qujaku perform with spectacular newly created visuals and light show created by UK visual artists IMPATV.

Ensō Sone is an original audio-visual collaboration between Japanese psych band Qujaku and UK visual artists IMPATV. Audiences can expect an amalgam of projection methods, visual mapping, lighting and set design, co-joined with a heavy apocalyptic sound resulting in a full-blown psychedelic display to rattle the senses… + Special guests group A open the event with a spectacular new AV set.

ABOUT THE ARTISTS

QUJAKU

QUJAKU are a Japanese heavy psychedelic rock band based in Hamamatsu. Their dark and heavy psychedelia filled with rich distortion and feedback creates a unique decadent ambience which is beyond comparison. There is not only a brutality but also an ephemeral beauty behind it. Delicate yet strong, destructive guitar with feedback, repetitive rhythms, and deep, bellowing bass.

FB: https://www.facebook.com/Qujaku/

Twitter: https://twitter.com/qujaku_info

Instagram: https://www.instagram.com/qujaku_jpn/

Website: http://www.qujaku.com/home/

Bandcamp: https://qujaku.bandcamp.com/album/qujaku

IMPATV

IMPATV is a collaborative video and stage production project from UK artists Isadora Darke and Jamie Robinson. Using new digital technologies and live mixing methods combined with costumes and stage design they produce immersive installations, music videos, art and music productions.

FB: https://www.facebook.com/IMPATV/

Twitter: https://twitter.com/impa_tv

Instagram: https://www.instagram.com/impatv/

Website: https://impatv.com/

Youtube: https://www.youtube.com/impatv

GROUP A – DEAD SLOW AHEAD

group A’s hyper electronic industrial music meets with Berlin based visual artist DEAD SLOW AHEAD for live A/V performances which feature geometry, strobe, and visual explorations.

FB: https://www.facebook.com/groupAband/

Instagram: https://www.instagram.com/group_a_band/
Soundcloud: https://soundcloud.com/group_a
Bandcamp: https://groupa.bandcamp.com/

FB: https://www.facebook.com/deadslowahead

Tumblr: https://slowmindbending.tumblr.com