DMSA Alumni and former DMSA technical demonstrator, artist Joshua Le Gallienne will present a new work for Brighton CCA: Dorset Place, an interactive installation utilising glass, latex and helium to explore the relationships between sound, space and invisible natural forces.
A big thank you to everyone who attended the Welcome Week screen of the film.
On behalf of DMSA a big thank you also to Jo Hutton who generously contributed to a Q&A about her involvement in the film, her personal practice, role at the BBC and her research into the significant women who shaped electronic music.
The broadcasts and follow up call out Jo mentioned are detailed in the links below:
Date: Thursday 19th November
Time: 11:00 – 12:00
Where: Microsoft Teams
Microsoft Team Group Join Code: 0vun4f6
Staff and students welcome.
WARM UP FESTIVAL
Many Apologies but in case you had missed the updates the Masterclass scheduled for today Jan 27 with Nye Parry is to be rescheduled
Next week’s Masterclass with Stephen Mallinder – Monday Feb 3 will start at 5.30pm in the Performance Studio
Don’t miss out: Free to All DMSA Students!
(Non-DMSA Tickets: Workshop £8/5 concs. Evening £8/5 concs. Combined ticket: £12/8 concs.)
A daytime workshop with evening performances from the sonic arts group AUDINT and their affiliates.
AUDINT is a London-based art collective operating across the fields of sound, performance, theory/fiction, film and installation. Following recent exhibitions and performances at Spike Island and Tate Britain, this event opens a window into the themes explored in their recent Book UNSOUND: UNDEAD. Working at the intersection between the latest sonic theory and practice, AUDINT push contemporary sonic making and thinking into new realms, between the real and the fictional, the living and the dead.
This workshop and live event extend the collective’s research with performances and presentations from AUDINT members and collaborators, including Eleni Ikon, Agnès Gayraud, Jenna Sutela, and Anne Duffau (TBC)
Afternoon seminar // 2-4pm // SPECIFIC DISSONANCES
Eleni Ikoniadou, Al Cameron and Caleb Madden will explore the perceptual and cultural peripheries of the sonic in a seminar based around contributions to the recent AUDINT – UNSOUND: UNDEAD book.
For the past ten years the group has been researching the periphery of sonic perception (unsound) and its potential to activate a continual intersection between fiction and fact, pressuring thought to become something other than what it has been. The group’s recent volume Unsound: Undead collates 64 new essays to probe how unsound serves to activate the undead. Contributors from a variety of disciplines chart these warped zones, mapping out a zigzagging timeline stretching from the 8th century BC (the song of the Sirens), to 2013 (acoustic levitation), and speculatively extending into 2057 (the emergence of holographic and holosonic phenomena).
Evening event // 7:30-11:30PM // UNSOUND: UNDEAD * brief descriptor for each act to follow.
A series of live performance:
Eleni Ikoniadou and Caro: The Lament – (voice and live electronics)
Agnes Gayraud – (voice and glossolalia piece)
Jenna Sutela, and Anne Duffau
TO BOOK YOUR PLACE EMAIL: email@example.com
Eleni Ikoniadou is a member of AUDINT and Senior Tutor in Visual Communication at the Royal College of Art. Her research is situated at the intersection between computational culture, theory-fiction and audiovisual practice. Her latest monograph is The Rhythmic Event: Art, Media, and the Sonic (MIT Press, 2014). She is co-editor of the Media Philosophy… Read more »
For as long as recording and communications technologies have existed, the potential of the vibrational continuum that connects sound to infrasound, ultrasound and other inaudible frequencies has been evoked to access anomalous zones of transmission between the realms of the living and the dead. For the past ten years the AUDINT group has been researching…