Immateriality is a travelling sonic arts exhibition that is touring the UK July 30th until 7th August 2019. It has been curated by DMSA staff/alumni Joshua Legallienne and features the work of DMSA graduates Ecka Mordecai and Jordan Edge, alongside newly-commissioned pieces by international artists Ingrid Plum (DK) and Robert Stokowy (DE) and UK artists Ben Jeans Houghton, Daniel W J Mackenzie, and David Leslie Stearn. More information about the tour can be found here: https://www.facebook.com/events/664673170668278/
New Release on ID Spectral Label
ID Spectral are proud to present Overk (IDS003), the debut release from Egyptian-based instrumentalist Hossam Hilal. Set in hazy desert landscapes, to underground soundsystem culture, Hilal presents us with a collection of rich textural works that hint at styles of world music, packaged with the influences of psychedelic rock, ambience and electronica.
The journey begins with ‘Hurry up’, a collage of luscious tonal bodies and melodic electric guitar riffs, topped with a beauteous synthesis of sampled drums. As Hossam takes us into the more organic, off-kilter african percussions on tracks such as ‘Habitat’ and ‘Ma Fi Makan’, the artist begins to unveil his egyptian roots with more traditional, celebratory atmospheres of a city of with a rich cultural history. The EP closes with ‘Crippled Down’, a delicately dissonant blend of metallic textures and concrete basslines.
Follow Hossam :
Written and produced by Hossam Hilal
Mastered by Jamie Moore
Managed and A&Red by Louis Sterling and Jamie Moore
Distributed by State51 (London)
Join University of Brighton lecturers and guest speakers for a tribute to the art and music of David Bowie, celebrating 50 years since the release of ‘Space Oddity’. Covering music, journalism, photography and graphic novels, ‘Forever Stardust’ will include a talk by DMSA Staff Dr Stephen Mallinder and live music from Bowiesque.
The event is on Friday 12 July, 1900-2130 at Sallis Benney Theatre, Grand Parade, University of Brighton.
Free entrance for all David Bowie impersonators.
More info: http://blogs.brighton.ac.uk/davidbowienight/
DMSA Feature: Amanda Brooks
Before the official launch of our Master’s programme and a much needed holiday break we talk to our recent graduate Amanda Brooks who presented a very ambitious experiment in immersive and 3D sound titled ‘SINKHOLE’. We hope to be able to present Amanda’s project again in the coming year! Stay Tuned and read below to learn more about her.
DMSA: Three important words that represent you as a creative person
AB:Progressive, Classical, Spooky
DMSA: When did you start working with sound and music?
AB: Live bands since 1984, sound phenomena since 2009 after my guitarist/sound guy had a stroke and there was no-one else who wanted to engineer the bands sound. I took the job on.
DMSA: In what ways has the DMSA course supported or helped you to develop into who you are today creatively and professionally?
AB: The DMSA course has inspired me to compose differently, it has helped me to develop technically which is one huge reason why I applied for the DMSA B.A and to understand the concept of sound art on a deeper level.
DMSA: Can you tell us a bit more about ‘SINKHOLE’, the piece you presented in our degree show this year?
AB: My final degree project ‘Sinkhole’ is about travelling sound lines, vertically, horizontally, and diagonally engulfing and surrounding the listener on a large scale (5 meters high sound cylinder) Inspired by Austrian architect and sound artist Bernhard Leitner. The concept derives from modern life as a human being where everything seems to be a race against time. ‘Sinkhole’ represents standing in a insurmountable sink under a giant tap where the listener hears pipes creaking and swelling, then the inevitable ‘water’ comes as sound, crashing vertically onto and around the listener. It is sonically big as well.
DMSA:You have been performing in quite a lot of bands. Any gigs coming up?
AB: I don’t have any gigs right now as I ‘walked’ from my two bands, ‘Undercover Agents’ and 20+ year old ‘Soul x Press’, I felt stuck and stagnated. Personally, from time to time, I do feel the need to maintain my place in the ‘un-comfort zone’ so I started a new project ‘Ditch the Demon’ where the music and band members are a little more ambitious.
DMSA: Other plans for the future? projects, events, visions?
AB: The future: I have applied for the DMSA M.A. which I am very excited about, I feel I need to continue my journey into all the aspects of sound phenomena in the field of sound art and design. I have a vision to gig, compose, freelance as a sound artist/designer and a session vocalist. I may even become an acoustician as well and sort out some live music venues !!