Hands-On Workshop With Guoda Dirzyte

EXPERIMENTAL MUSICAL INSTRUMENT BUILDING AND FREE IMPROVISATION
Friday 28th September 2018
12-6pm
Performance Studio / Grand Parade

We are happy to have Guoda Dirzyte back to give a hands-on workshop to our students. The workshop is free to students of all levels.

OVERVIEW

This workshop will concentrate on using actions, concrete sounds, and random things, rather than being represented in an illusionist/harmonic manner. Intention is to rise awareness of sounds’ potentiality and create work that retains a sense of immediacy, corporeality, and curiosity. Instrument building and preparation session will be based on transforming the identities of seemingly familiar sounds, found objects and instruments.

In the improvisation session students will be encourage more to listen and communicate rather then show they technical musical abilities. Concert will be based on playing with trash (or any found objects) and deformed or handmade musical instruments brought by students or created during preparation session. Challenge the distinction that is made in conventional musical practices between musical and non-musical sound. Intend to lean towards developing non-verbal communication skills, and strengthens inter-human, intra-human and trans-human relations, which is far more than conventional music based on consumption can offer.

PROGRAMME

First Part {JO 序}: Introduction Talk {30 min}

Second Part {HA 破}: Instrument Building and Preparation Workshop {2 h}

[short break]

Third Part {KYŪ 急}: Do It Yourself Concert (Improvisation Session) {1 h 30 min}

Digital Gestures | Human Contact Exhibition at ONCA Gallery

24-25 September 2018 | 24th Sept: Launch 6-8pm / 25th Sept: 12-5pm
ONCA
4 St George’s Pl,
Brighton
BN1 4GB
[map]
[Facebook Event]

We are happy to be supporting the upcoming exhibition titled ‘Digital Gestures | Human Contact‘ at ONCA gallery for Brighton Digital Festival.

The exhibition features works developed by 2nd year students in our course. The works have been developed in partnership with Fab Lab (University of Brighton) and Mi.Mu.

The two installations on display in Digital Gestures, Human Contact offer an inspiring, surprising and mesmering journey through digital motion sensor technologies, music and visuals where the audiences become interchangeably performers and observers.

54 Bones is a gesturally based performance art installation for an audience of one. It uses gestural glove controllers to trigger and manipulate sounds, using a series of gestures and movements inspired by British Sign Language. The work aims to extend the ephemeral moment at which sound, language and meaning collide, resulting in a truly intimate, human experience for each person who takes part, leaving them free to interpret what the interaction means to them.

Cogflux.01 is an interactive audio-visual installation by PRTCL Collective aiming to break the barrier between audience and performer through the use of motion sensor technology, generative audio and visuals. The piece aims to conceptually adopt the headspace one obtains whilst traveling long distances, which was inspired by Kaihōgyō, a walking meditation process used by Buddhist monks for more than 1000 years.

Artists exhibiting:
54 Bones – Duncan Cabral, Olivia Louvel, Jamie Moore, Dominic Rae
Cogflux.01 – PRTCL Collective are Jedd Winterburn, Tarek El Goraicy, Matt Were, Louis Sterling, Jack Cleary, Visuals: Joe Wheater

Poster and Banner Design: Jedd Winterburn

Exploring Boundaries at Brighton Digital Festival

1-6 October 2018 | 12-5pm
The Basement
24 Kensington St, Brighton
BN1 4AJ
[map]
[facebook event]

Two of this year’s graduates will be presenting work as part of this year’s Brighton Digital Festival in an exhibition titled ‘Exploring Boundaries’ curated by Digital Music and Sound Arts in partnership with Our Future City (Brighton Dome) for Brighton Digital Festival.

Merging the physical experience of sound with the digital realm, Exploring Boundaries brings two works by UK-based artists PJ Davy (UK) and Jeph Vanger (UK/GR) to this year’s Brighton Digital Festival.

Vanger’s s ‘Sφera’ is a multichannel sonic environment where the physical presence of sound and the ongoing engagement become the priority. The piece pays tribute to the mournful sound of the Foghorn, using original recordings from the Foghorn Requiem (2013) field performance in which more than 50 ships gathered on the North Sea (UK) to perform an ambitious musical score.

PJ Davy’s ‘Heads in The Cloud 2.0’ is a multi-channel, sound and light installation concerning the digitisation of our lives through the internet. Heads in The Cloud presents a physical, human experience to reflect on our relationship with technology and each other, in an increasingly digitised world.

Programme

Sφera | 1-2 October 2018, 12-5pm
Artist Talk: 1st October, 2pm

Heads in The Cloud 2.0 | 4-5 Octber, 12-5pm and 6th October 12-3pm
Artist Talk: 4th October, 2pm

Please note that the facilities can be only accessed through stairs

Poster and Banner Design: Jedd Winterburn

ID Spectral Soft Launch Event

Thursday 26 September 2018, 6:30pm
Performance Studio, Grand Parade Campus,
University of Brighton
[map]
[Facebook Event]

We are very happy to be hosting a special “soft launch” event of the student-led ID Spectral imprint. Our students will have the opportunity to meet the label team, learn more about the project, its partners, official distribution contract, IDS radio and future plans as well as experience two unique live electronic music performances from the label’s artists. Students are invited to submit demos for consideration.

The event is scheduled for Wednesday 26th of September at 6.30pm in the Grand Parade campus performance studio.

Live (A/V)

RHGT (Opal Tapes/Panatype)

Luke Vosper (IDS)
https://soundcloud.com/idspectral/2-martia-granulated

You can listen to the label’s radio programmes on Resonance Extra.

DMSA Alumni featured at Fort Process Festival.

DMSA alumni Jeph Vanger, Jack Lister, Jordan Edge and Guoda Dirzyte will present work as part of this year’s Fort Process Festival.

The line-up is exceptional featuring music, talks and installations by Rhys Chatham, Aja, UKAEA, David Thomas Broughton, Kyoka, Grischa Lichtenberger, Max Eastley and more!

You can check out the full line-up here.

A nice feature of the festival can be found over at The Quietus.

Olivia Louvel to headline Synth Remix UK Tour

DMSA student Olivia Louvel will be headlining the Synth Remix 2018 UK Tour, a project presenting music by musicians including Delia Derbyshire, Daphne Oram, Laurie Spiegel and Éliane Radigue.

Olivia will be touring the UK. Below are the dates:

08.11 – London @ 93 Feet East + @ Resonance Extra
09.11 – Manchester @ Anthony Burgess Foundation
10.11 – Leeds @ Belgrave Music Hall
11.11 – Birmingham @ Ikon Gallery
Featuring Jo Thomas, Olivia Louvel (Data Regina AV), Benjamin Tassie

Tickets on sale: 28.08
More info: https://www.classicalremix.org/synth-remix/

Call for Artists

Homelessness – An art exhibition for the homeless.

Are you Interested in sharing your skills with others and gaining experience curating and leading workshops that align with your knowledge? We are looking for artists who will run workshops for the homeless community, with the goal of showcasing the resulting work over a weekend exhibition in The Basement in the north lanes. You will act as the catalyst between your artistic medium and the homeless! We are keeping an open mind in regards to the disciplines we wish to work alongside, if you’re interested in the project tell us about what you do!

About the project

The project is a collaboration with Our Future City, which is associated with the Brighton Dome. It will take place on the 5th week of September from the 24th -29th, we will hold the workshops from Monday to Thursday and exhibit the work from Friday to Saturday. Hours are flexible, and no one has to spend the whole week at the space, the weekend will be busy as we will have the public coming in to view, the extra hand will be needed.

Applying

Send an email to jackclearymusic@hotmail.co.uk! State the department you study in, your interests and how you see yourself fitting into the project!

ID Spectal: Call for demos

ID Spectral is a new student-led record label and multidisciplinary arts collective, pushing the works of forward-thinking and innovative creatives across the UK and worldwide.

To celebrate the launch of the label’s official website and radio show via. Resonance Extra and Radio Cascabel London, ID Spectral are currently accepting demo submissions for the IDS001 launch compilation.

This will be the first of the imprint’s series of compilation albums, showcasing the vast spectrum of experimentalism and contemporary music; derriving from the concepts of ambience, modern-classical, techno and IDM.

Newcoming and existing students and members of staff will have the opportunity to meet artists and listen to DJ sets and performances from the label’s roaster on Septemper 26th 2018. More info to be announced soon.

In the meantime, you can submit your demo here.

Exploring Boundaries: A DMSA Graduate Show Special Part 1 | SoundSpaces

Sound is a medium that invites participation, reflection, action and reaction. Sound operates across boundaries of senses, media, materials and forms. This year’s graduate show pieces from our students present a range of approaches into these observations. With an emphasis on both the physical-visceral and the emotional-ethereal affect of sound, the different works exhibited in the DMSA area in Grand Parade (East Wing, Back Building across the courtyard, 3rd Floor) pose a series of complex questions that the visitors will play a leading role into deciphering.


Jeph Vanger’s Sφera is the result of a one year field research in Berlin, Klingenberg Am Main, Athens with people such as Hans Peter Kuhn & Markus Klug. Sφera is a multichannel sonic environment where the physical presence of sound and the ongoing engagement become the priority. The symphony of (1) a hand-built subwoofer, (2) an also hand-built multicell horn speaker and (3) the 3D audio speaker IKO are creating a sonic “atmo-sphere” where the encounterer is able to experience sound in its spherical existence. The piece pays tribute to the mournful sound of the Foghorn, using original recordings from the Foghorn Requiem (2013) field performance in which more than 50 ships gathered on the North Sea (UK) to perform an ambitious musical score. Using walls, floors, human bodies as tools of a spatial orchestration, the sound surrounds the listener and enables him or her to be a fundamental part of the installation. Borrowing a few words from Dr Kersten Glandien: “What it can mean to be an empowered active encounterer rather than a passive overwhelmed consumer?”

A peformance of Sφera is scheduled for the Private View, June 1st at 7pm. Book your tickets.

SΦΕRA from Jeph Vanger Sound on Vimeo.

Sound is enveloping and ambiguous, simultaneously of the body and beyond it; a trigger of memories, senses and sensations. Sophie Kiairie’s Soul positions the listener in complete blackness-blindfolded with their ears as the only means to navigate through a binaural soundspace of familiar-like creatures and environments. Soul is a short first-person immersive audio play. In Soul, you are placed in the shoes of a soldier undergoing training in a facility in order to gain heightened hearing senses that in turn help you the soldier in combat against unknown creatures that have invaded the planet, eating people’s souls. They do so to strengthen themselves, and to feed their Queen, who is to give birth to a King strong enough to conquer the universe. It starts at the end of the training in a facility, where scientists have placed you in a training room where they proceed to load 4 different sonically simulated environments to explore.

Oliver John’s The Miraculous Land is a 40 channel generative, ambisonics inspired sound installation. For the majority of its everlasting duration it sonically comprises of an electroacoustic sound design driven construction of a room in a library. At points the illusion of the library intentionally deconstructs itself, separating sounds from their sources and manipulating them to create intangible realities. This makes each of the 40 loudspeakers individually decipherable, creating surreal illusions of movement within the three dimensional soundspace. Because of this, one becomes attentive of its artificial creation, which puts light on the constructed sonic environment as a digital soundscape.

PROGRAMME

Performance Studio:

Private view: 1st June
Aki Purser / Jeph Vanger (1800 changeover)

2nd – 3rd June:
Jeph Vanger // Sφera

4th June:
DMSA Day / Alvaro Villar-Castillo // SONORAMA

5th June:
Alvaro Villar-Castillo // SONORAMA

6th – 8th June:
JORDAN LEWIS // THE N0VA GATHERING

9th – 10th June
Aki Purser // 記憶 (MEMORY)

Sound Diffusion Lab:

1st – 3rd June:
Oli Johns // The Miraculous Land – Library

4th – 5th June:
Edward Scott // Lissajous Sounds
PJ Davy // Heads in The Cloud

6th June:
Liam Eshgi-Luck // The Cacophonic Hospital

7th – 8th June:
Edward Scott // Lissajous Sounds

8th – 10th June:
PJ Davy // Heads in The Cloud

Ongoing Installations
Room 229
Oskar Jeff // Reconstructing Tapes
Sophie Kiarie // Soul
Liam Eshgi-Luck // The Cacophonic Hospital
Michael McKeown // Aquarium Music
Bobbie Cook // Hard Shoulder

Room 228
Jasmyn Bloch // FEMPORIS

The Shower room
Ivan Arbiol Camps // The Return of the Unwanted

Sound Diffusion Lab Foyer
Jack Lister // Flood the Box