Digital Music and Sound Arts students come from a variety of backgrounds and through the three years of the course they undergo a trajectory of transformation. They are encouraged to challenge existing deas, explore new methodologies and technologies, develop in a focused manner sets of skills that will make them confident in their craft, critical in their thinking as practitioners and ready to keep up with the challenges of a rapidly changing and competitive field. The degree show is an important platform for both students and staff to demonstrate these concepts, to interface with industry people and establish a network.
Today’s spotlight revisits the final degree works by 2012 DMSA students showcasing the breadth of approaches and interests and the level of quality students aim to achieve. Either sound design and music for film, interactive audiovisual installations or music production, preparing the final degree project is a chance to be ambitious and to refine a creative vision so as to allign with the chosen career pathway of each student.
Featured Works
- Roland Szabo – Preface (film)
- Jack Ritchie – Symbiotic (Experimental Music Film)
- Henry Holmes – Tape Requiem (Sound installation)
- Marcel Kennard – Anxiety E.P (Music Album Production)
- Melody Woodham – Character Building (Film)
- Sean Tierney – Fair Use (Music Album Production)
- Anthony Weigold – Political Signification (Experimental AV production)
- Tom Bartlett – Necropolis (Sound Design)
- Tanya Taylor – Tinkerings (Performative Sound Installation)
- Sean Halsey – Dream Without A Dream (Film)
- Anton Browne – Breakaway (Music Video)
- Joseph Yates – Passages (Audiovisual Installation)
- Jack Fletcher – Wild Bill (Sound Design for Film)
- Peter Mines – Revenant Tapes (Experimental Electronic Music)
- Chris Hoad – Vastec (Interactive Audio System for Music Performance and Production)
- Joshua Clark-Legallienne – Restraint (Experimental Music)
- Nicholas Keate – Triptych (Weltschmerz) (Audiovisula installation)
- Joshua Feder – The Catatonic (Film)