Digital Storytelling


What is digital storytelling?


Male digitall storyteller working at a computer using i-movieDigital storytelling describes a simple, creative process through which people with little or no experience in computer film-making gain skills needed to tell a personal story as a two-minute film using predominantly still images and voiceover. These films can then be streamed on the web or broadcast on television.


beginning to write in native language towards a digital storyA digital storyteller can be anyone who has a desire to document life experience, ideas, or feelings through the use of story and digital media. Usually, it is someone with little experience in video production but with time to spend a few days attending a workshop and developing a story with creative support and technical assistance from compassionate, experienced facilitators.


Man standing in a workshop group sharing iniitial thoughts on a story promptThe uses of digital storytelling range from a means to express creativity, to a research method for local health issues or a means of preserving a community’s identity and a form of oral history. As a method, digital storytelling combines techniques to develop literacy and storytelling skills with an introduction to basic Information and Communication Technology (ICT), using group exercises and individual processes that develop confidence and build self-esteem.


Two digital storytelling participants, male and female, consider work on a mobile phoneOn the surface these digital stories are all singular, personal audio-visual accounts of an individual’s story, yet the making of them is shaped by the collaborative experience in the workshop. Each story shows how someone envisages their place in a personal and a public world.




Methods and practices of digital storytelling

Digital story tellers present pictures to help thei development of a narrative Digital storytelling allows participants to: tell their own stories, learn digital media skills, build confidence and self-esteem. The method places the stories under the control of the storyteller

Participants find digital storytelling fun: it is a way to reach people who think that education is ‘not for them’; it can help to develop language and literacy skills through storytelling and script-writing; it can give people a kick-start in developing their skills and improving their chances to gain employment; it offers a way to engage thoughtfully with experience.

Digital storytellers share their work outdoors, a group of three Digital storytelling has been used in health and teacher education for developing students’ professional identity, and as a tool for self reflection whereby students make and share digital stories about their practice experiences. As a practice it helps to foster higher-order thinking skills, develops digital literacy, and is, “the aggregating element capable of turning our students into true 21st century learners” (Ribeiro, 2012).

A workshop of digital storytellers hold up story boards and plans for their stories

For the purposes of the digital storytelling workshops we run at the University of Brighton, a digital film is:

  • a 2-minute film (~250 words)
  • a personal story
  • written, recorded and edited by the film maker
  • uses photos/drawings by the film maker (10-30 photos)
  • can also use video, animation and music
  • any images or music have to be copyright free

A page of words and doodles working towards a storyboardDigital storytelling workshops typically begin with a story circle, creating a trusting atmosphere and getting to know each other through activities. Story prompts are given eliciting concentrated thoughts as to the most powerful elements to be developed from a lifetime of memories. Storytelling exercises introduce method and encourage the sharing of material.


Two people working together with pencils on one piece of paperParticipants are then introduced to the principles of narrative: narrator, voice, background. They also learn about camera work and film technique. Short scripts are written, following which the voiceovers are recorded. Participants scan photographs from albums or take new photos of people and objects. Others make images through drawing, make simple stop frame animations or computer software animations such as Adobe Flash

Digital storytelling workshop with male and female participants sharing their stories verballyParticipants then move to editing. The imagery and animation is built into a film editing software where it is combined with the voiceover. The results are then shared in the form of group shows, exhibitions in public spaces or online.


Research in Digital Storytelling

As a relatively new cultural form of cultural practice drawing on a range of different roots, practices and interests, digital storytelling has attracted attention from a range of scholars and researchers.

One consequence of this is that literature, research and practice is limited and exploratory, as writers, practitioners and academics work their way towards a fuller, more rounded understanding. Drivers for individual projects are often drawn from different sources with a desire to use digital storytelling with particular groups or communities. Sennett (2012) notes how many community projects “offer good experiences” but “have to lead somewhere to become sustainable”.

A audience of ten digitial storytellers watch the work they have producedThis sense of immediacy is found in many digital storytelling projects where the short term benefits of the storytelling process are defined in terms of stories told or people trained. It is rare to find research which considers the content of digital stories or takes a longitudinal approach to the evaluation of the impact of attending a digital storytelling workshop on participants.


The work at the University of Brighton, including Silver Stories (2014) and StoryA (2016), does this. Key note sessions from Joe Lambert and John Hartley at Create, Act, Changethe 5th International Conference of Digital Storytelling (2013) sought to bring a greater understanding of the practice of digital storytelling by arguing for a need to “theorise” the work. John Hartley and Joe Lambert both argued for this but came to the same point from starting positions on opposite ends of the spectrum – as the consummate media theorist and the dedicated practitioner.


Print Friendly, PDF & Email
Skip to toolbar