July 2

Portfolio career

Every year (since they introduced this section) I submit a piece to Mslexia about my portfolio career. Sometimes a portfolio career is exhausting, especially when I have conflicting demands, but it ultimately is rewarding. It allows me to do work I love, work I get paid well for and make a difference. In an ideal world I could find one job that does all these things… but this is the next best thing.

My Portfolio Career 

Alongside my personal essay writing and zine making, I earn my main income through two jobs working in widening participation organisations. For those of you who may not have heard the term before, it’s the department in most universities and many colleges sometimes known as the outreach team or the engagement team. It’s the team that tries to make sure that folks who may have been traditionally excluded from further education have an opportunity to experience activities and/or learn skills that will help them feel like higher education is doable.  

I fell in love with this sector at a UCAS fair over a decade ago. When I met a lovely lady who spoke to me as I was trying to swipe lots of tote bags and stationery in a university foyer. I was there supporting my friend, but also I can’t resist pens and a tote. I just started chatting and, although I thought going to university may be fun, I was more impressed that the staff I met got me excited about the idea that I could encourage people like myself to get enthusiastic about education. 

So when I decided to apply to university five years later, I knew I wanted to get a job in widening participation when I completed my degree. I’ll complete my degree next year; I’m doing an Art Masters. My lecturer gave me a reflective journal assignment a few years ago and that’s how I started writing (and getting paid for writing).  

My life as a student feels rewarding. In that time I’ve achieved so much. I pay for Christmas presents for my family with vouchers I’ve won in student competitions (mostly creative writing and craft competitions) and earnt for taking part in surveys. While doing my Masters I’ve taken part in a short-term teacher placement, and recently started a distance learning course about psychogeography in a bid to help tackle the agoraphobia I developed after a bereavement and two terminal illness diagnoses in my family last year. 

And I often do temporary work for student events, so I have no end of free pens now. Score. 

2020

July 1

Virtual housekeeping

My portfolio is ready to submit, and once again, I am leaving Brighton. I have left Brighton so many times now I realise the ridiculousness of my words. I’ve been sorting through my digital files; looking at photos and my creative writing. I found a series of essays I like very much; I submitted them to various magazines and journals but they were not published. I may share a couple here, but right now I just want to catalogue.

#FridayFeel

It’s the final Friday before my first holiday of the year. I worked through summer, which I didn’t mind. The workload was light, and I spent every day with my partner. And it felt good to have him around; in addition to coronavirus we were dealing with the worsening of my father’s progressive illness, my partner’s father’s upcoming operation to remove a malign tumour, and my partner’s mother’s failing kidneys. Life had become a series of appointments and phone calls. I had spent a month in the bedroom because the lounge was too hot, too bright and a front row seat to the chaos outside… 

We live opposite a migrant holding centre. Coaches and Home Office vans are a regular sight, and occasional small protests from people shouting, “Send them home”. Our neighbours counter-protested. There were a few scuffles. I thought the media would turn up. They didn’t.  

One day I looked out the window and saw two teenagers on mopeds doing Nazi salutes to a coach with blacked out windows. I was never sure why the windows were blacked out. I suppose it’s a security reason, but for whom? The people on the coach, or the people looking in who might start asking why we treat people looking for refuge this way?  

As summer ended my partner was called back into work. We work for the same company but in different locations. I asked for a reasonable adjustment to continue working from home and my line manager agreed instantly. She also arranged fortnightly catchups to check how I was doing because I had been struggling with my mental health. My partner also asked for a reasonable adjustment, as he is in contact with his critically vulnerable parents and undertakes caring duties for them. He’s still waiting to find out if his request to work remotely, when needed, will be accepted. 

We are “returning to normal” supposedly. Though I don’t know how to return to normal when every phone call brings bad news. The latest phone call was that my partner’s father needs to go back into hospital for another colonoscopy to check some polyps. The phone call before that was from a young person from Wandsworth who was worried that he can’t afford day-to-day essentials, and although he lives in an area my workplace doesn’t cover, I promised I’d look into getting him some assistance from his council. Phone calls make me feel powerless. 

I can’t help. 

This week I’d been trying to collect some data from my colleagues, well, I have been trying to collect that data for six months but there was one group of colleagues that ignore my emails and calls. I know it’s because their workload is too big, and my data requests (quite rightly!) come second to their front-line work with vulnerable people. I finally received the final piece of data on Wednesday so I had aimed to collate it today.  

I left a data job fifteen months earlier, because I wanted to work in outreach. I wanted to make a difference to people’s lives. In that time, I’ve felt useless. But today, I sparred with data and remembered why I love it; the rules, the behaviour, the predictability… When people talk about science and art like they are different things I wonder if they’ve ever looked at code. It feels as intuitive as painting or playing an instrument. Code is like a friend that talks clearly to me; it explains what it is and how it works, and I don’t have to ask, “Are you being serious?” or “Is that slang?” or “Do you really like it or are you just being polite?” 

By Midday I felt proud of myself. My partner texted me to say he needed to visit his parents after work. They needed him to move some dialysis bags and run some errands. I looked at the refrigerator and saw that there were a handful of items on the shopping list my partner had attached to the door. I could tell he had written the list in a hurry because he didn’t mention the types and number of apples he needed. But I decided on Royal Gala. I’ve never seen him eat Royal Gala. But that’s what came into my head. 

I felt like visiting the corner shop. My reasoning was that it starts to get busy after three o’clock and teenagers loiter by the bin near the bus stop, so I am never sure where the queue ends. Also, if I buy these items my partner has less to buy at the supermarket later tonight and we can spend more time playing board games. I also wanted to buy a tub of ice cream and a bottle of pink mojito that was the same colour as my favourite hair dye.  

As I left my flat, I put on my face mask, there are lots of untidy gardens in my street so I can never see people opening their gate and I’ve nearly walked into people three times this year. I walked the clockwise route to the corner store because it’s safer to cross the road in this direction. As I got to the corner store, I saw an elderly woman rummaging around in her trolley for her facemask so I concluded there must be five people in the corner store. But then she entered the store and I waited for the next person to leave.  

I thought I heard a stumbling man by the bus stop say, “Are you lost?” He walked towards me and but stopped two metres away. I was relieved. I hated people in my personal space before coronavirus, afterwards the idea felt offensive – like a disregard for my emotional and physical health. I said, “No. I am in the queue waiting to go into the store.” He replied, “No. I said I am lost.” 

“Oh. Where do you want to go?” 

Then it happened. Two steps closer to me.  

I backed off. Then I realised I’m confusing the people in the queue behind me. Now I’m in the area where loiterers stand. I felt stress brewing. I step forward and to the side. 

The man wants to go to the beach. I give directions as he gets closer. I feel I should back away, but I can’t. I’ve grown so use to people not touching me during social distancing. I mean, obviously, I have been touched but my partner always indicates he is going to touch me, so I have an opportunity to consent or refuse. And my family understand my need for distance. I get angry, in my head this man becomes “this jerk”.  

As I finish my description of the route to the beach, he is touching my arm. I shudder. But I also feel fear. The fear of contamination, but also the fear that I began to believe that the world was changing to a place where people would stop touching others without consent. I had let my guard down because I just assumed nobody would touch me. I feel upset and foolish.  

This jerk says, “You’re gorgeous, you are.” And I look at him blankly, I forget half of my face is covered. I pull my arm away and he walks to the beach. I enter the store a minute later, throw my backpack down and smother my arm with antibacterial gel.  

I pick up the Royal Gala apples and feel tears prickling at the corner of my eyes. As I hold them, I whisper, “I am sorry… I should have asked if it was OK to touch you.”  

2020 (a submission for Perito Prize)

June 22

Boom Boom

I had been intending to publish a vlog… earlier this month I took part in a VlogOn workshop which was incredible. I find myself waking up in the morning and thinking of video ideas, some days I even start filming but ultimately I don’t post. I don’t know what I’m hoping to achieve with all this raw footage yet. Maybe I’ll just keep it for me, or maybe I’ll work it into something later.

This month has been difficult, which is one of the reasons I don’t feel like sharing much. It’s the month of father’s day, my father’s birthday, and my cousin passed away this week too. I have been thinking a lot about the place I grew up. And I’ve been listening a lot to jennylee.

The sound reminds me so much of my teenage years, even though (obviously) this song wasn’t around then. My final art project at college for graphic design was creating a book cover for an imagined book. The book I imagined was a history of surf music, but I didn’t know much about the genre. I think realistically the book was about the aesthetic relationship between the jangly guitar sound I like and emotions/memories of the coast. It was probably a psychogeographic exploration before I understood what I was trying to communicate.

I recall a time when I was reading a piece on Kristin Hersh where she spoke of going to the beach, I am unsure of the exact wording but I remember something along the lines of warm beer, cold surf as she described her memories. Those words stuck in my mind, and I found myself drawn to water symbolism – particularly around times when I was struggling with my mental health. Music and water formed an alliance in my mind. I started writing essays about how music helped me escape from the feelings I had in my hometown… and then I discovered On the Road to Nirvana by Gina Arnold. The opening (or second) chapter described a gig (I think Hawaii) and the feelings the author had as part of the crowd. It resonated with me.

My memories of the time are getting hazy, and I find that both comforting and sad. Yet the feelings of the time have reappeared. I do not like the person I was, and it’s hard to think of younger me without shame.

April 30

Summery

At the pier
Aged twenty-one
I have run out of words
As a child they could not keep me from the national curriculum

I knew pain
Shards amongst the pebbles
And waking to see skeletons burning in the distance
But more intoxicating

We’ve been inseperable since
Adjacent to punk
Now I’m meditating and sleepily counting syllables
But I survived that night so I knew I was here for the long run

Facepalming at my work station
Felt like a new world
Mapping my way
In my glitter scrunchie

Halting my bolting body
A pear, a pear
Faux fur coats in the style of a spice girl
Newly-dyed orange hair

April 29

Curse

Curse is an anagram
Of my husband’s
name

Now mine

Names were a source
Of torment
Like sauce

Labelling
Line nine

Trying to be
The person you
Expect

Not mine

I am crossing that line