Tagged: styling

“room service”: fashion editorial

(pre-editing)







I didn’t want FILLER to lose its roots in fashion and trend investigation, however fashion editorials are not a strong point of mine. I have always preferred candid, simplistic photography, and so I decided to use this to create a (sort of) style editorial for the zine, using people’s comfort foods as a prop, and actually quite a main focus, in the photos. My further knowledge and research into youth trends highlighted a trend in nightwear and lingerie, notably silky, pastel fabrics and loungewear – which coincidentally link to this rising trend in self care, looking after and loving yourself.

I wanted to create a candid, intimate photo shoot, which looked at the clandestine act of comfort eating in bed, perhaps in glamorous lingerie or nightwear. The photos focused on the act of eating more than the fashion itself, combining feminine pastel colours with grotesque, messy foods such as cheeseburgers and fries (which I styled with ornate glass and silverware to parody how inexpensive and unglamorous they are often perceived to be).

 

 

comfort food shoot

I conducted a survey online asking people (through social media platforms) to submit their ‘ultimate comfort food’ – some submitted simply a word or two, others a short description, and some a lengthy anecdote describing the nostalgia or pleasure created by consuming their favourite food. This formed the basis of a still life shoot depicting people’s comfort food. After researching and being aware of the ‘wellness’ and ‘clean-eating’ trend that is especially visible on social media, I find it intriguing how the foods people actually enjoy eating, that make them feel better when they are sick, sad, tired or just relaxing, are actually not the most aesthetically pleasing. I wanted to, visually, comment on how we are constantly Instagramming superfood-packed bowls of porridge, açai bowls, smoothies or fruit platters, because they are so typically ‘pretty’ and send out a message of health, purity and attractiveness to our followers, but really the foods we get real pleasure from are (to name a few submissions) toast, garlic bread, macaroni cheese, pizza, donuts and shortbread biscuits.

I wanted to select a few of these submissions and depict them against backdrops resembling bedcovers, to relate to the theme of comfort food and the intimate, clandestine act of bingeing on your favourite snacks in bed. I used silky, luxurious looking fabrics which when juxtaposed with the typically ‘unattractive’ food created a playful aesthetic, presenting cheap, everyday supermarket products as something glamorous.




W E E K 3 ethnobotany: natural plant dyes

I conducted a still life shoot based on the concept of ethnobotany and natural dyes in textiles. I wanted to focus on vibrant colours and bold shapes to give the images a contemporary look and make them differ from already existing images around this subject (which often focus on neutral tones, minimal styling and low contrast photography). I purposely picked plants that are known to give strong/vibrant colour results, such as pomegranate, beetroot and turmeric, so I could create bright and fun images with them. I intend for the these photos to feature alongside samples of fabric that I have actually dyed with the plants to demonstrate how natural dyeing is possible and effective…to hopefully inspire a change in the way we think about the designs and colours of our clothing – maybe we should be dyeing garments naturally ourselves? Maybe we should simply source more ethical brands that do this already? Could this inspire a larger interest in up cycling and DIY fashion, that has so far only been picked up by outsider groups that do not “associate” themselves with mainstream trends?

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diversity now!: evaluation

For my response to the Diversity Now brief, I wanted to create a piece of work that built upon my previously explored interests and talents to end up with something that could still fit within my personal portfolio. As much of my work tends to focus on aspects of femininity and youth I focused my piece on women and girls and the diversity of appearance and style, to send out the message that there is not only one kind of beauty, or one “look” that is acceptable or fashionable. ­­

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portraits of girls: diversity in beauty


I wanted to shoot images of females with varying appearances, whether that be simply facially, in body shape, race/ethnicity or style. I chose several subjects that all had very different and unique appearances and shot a series of portraits. I let the models direct themselves and have fun with the shoot as I wanted these photos to show diversity in appearance, style and personality, rather than be a strictly directed and staged fashion shoot. I also kept make-up very minimal and did not use post-production enhancements except to correct lighting/colour as I shot in natural light to give a softer, more feminine feel to the images.

Inspired by the phrase ‘oranges are not the only fruit’ I made this my own by basing my photos around the phrase ‘roses are not the only flower’, which has references to femininity as well as roses referencing an ‘English rose’ appearance that is typically attractive in the Western world. For this reason I included other ethnicities, complexions and facial features to show the diversity in appearance and how female beauty is not limited to one type of look.

promotion of campaign: social media

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After creating my campaign manifesto and lookbook I looked at how the brand would communicate and promote these ideas – Shrimps already has a fairly strong social media presence so I looked at utilising these platforms more effectively to promote the rebrand. I created mock-ups of the label’s Twitter and Instagram accounts to give an idea of how this would work, e.g. using a lookbook image as a header on Twitter, retweeting articles and what others are saying about the campaign, and using the #shrimpsxwomankind hashtag for the charity t-shirts.

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SS18 campaign manifesto and lookbook

>>FINAL LOOKBOOK PDF<<

Shrimps, created by Hannah Weiland, prides itself on bringing timeless yet playful garments and accessories to women. Its target consumer is the sophisticated, well-dressed female, with the majority of the brand’s pieces being luxurious faux fur coats, printed silk separates or embellished clutch bags. Yet for Spring/Summer 2018 the small London-based fashion label will be refreshed, to widen the brand’s product range and image while keeping its quirky, girly style and brand identity. With the SS18 trend ‘Rebellion’ comes a reform of styles and ideas, and along with that we can see the brand being able to take its unconventional, artistic identity and designs to a new level. Continue reading

lookbook shoot

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After selecting London-based fashion label Shrimps as my brand for my anti-fashion campaign, I conducted a shoot both on a digital SLR and on film, to determine which ‘look’ I preferred. As Shrimps’ imagery often has a vintage, soft and girly feel I chose a disposable camera to give an unfocused/dreamy effect which also fit with my trends and the looks I was displaying. After playing around with lookbook layouts using both the digital and analog images, I’ve decided on the analog as I prefer the low-fi, artistic look: Continue reading