Evaluation Checklists and Frameworks (Pt2)

In this post I want to look at what goes into the construction of an evaluation framework. This means determining the format of a checklist, which is likely to produce a tension between breadth and depth, and informativity and economy. Moving from a pre-use impressionistic evaluation toward a comprehensive and more informative one needs careful deliberation over the micro- and macro-characteristics that make up a criterion-referenced checklist. What is clearly vital at the start of the evaluation process is both the consideration of the learners’ needs and the context of use.

The micro-considerations for this area of evaluation are the characteristics of the learners (age, level, learning style, socio-cultural background etc.), the learners’ needs (language, skills, functions, language systems etc.), the teachers who will use the materials (experience, confidence, methodological competence etc.) the programme and the institution (level within the educational system, timetable, physical environment public or private sector). The macro-features will be focused on the external context: aims of education (examination systems curriculum content, language policy, role of target language within that country) the aims of language education (national syllabus, cultural and religious considerations) (McGrath 2002).

As mentioned in my previous post, there is still a lot of debate about the use of analysis questions in evaluations, and there are differing techniques used by authors in their approach and the steps (micro) and stages (macro) involved in an evaluation. It is clear that there is a benefit in performing a pre-evaluation analysis. It is implied that this should separate the ‘wheat from the chaff’ by highlighting key objective aspects that materials must contain, if they don’t they can be rejected. Accurate assumptions can be made about the layout, images, and the types of skills being assessed from an informal scan of materials. An analysis can be characterised as impressionistic, a checklist, or in-depth, the idea being that these analytical descriptions are to be compared to the identified needs before moving on to an evaluation. The materials analyses that I encounter are of the impressionistic nature and rely on flick tests. My assumption is that this is due to the economy of time and the lack of training given in this field. It does not comfort me that important decisions about materials are made in this way. This module has gone a long way to make a difference in my approach to and understanding of these decisions.

What does it take to create a checklist for an evaluation of ELT materials that is holistic and economical?

McGrath (2002) offers three approaches to checklist design, firstly you can borrow and adapt checklists that are available to you for your own context. Secondly, you can brainstorm and draft your own original fit-to-purpose checklist. The final option would be to research the people that the materials immediately affect (teachers and learners) and find out what is important to them. From my experience the evaluations I perform are somewhere inbetween the first and the last point made by Mcgrath. The criteria I use (which is not a hard copy checklist, but an internal one) is based on my own personal context of my students, my principles and the observation of the characteristics of the class e.g. level, age, cutlure.

McGrath (2002) suggests the following steps for designing a checklist:

  1. Decide general categories within which specific checklists will be organised
  2. Decide specific criteria within each category
  3. Decide ordering of general categories and specific criteria
  4. Decide format of prompts and responses.

As a means of comparison, Tomlinson (2013) suggests brainstorming a list of universal criteria that is applicable to any language learning materials, then derive principles of language teaching and learning from classroom observation. This should provide a fundamental basis for materials evaluation. Following this the criteria needs to be sub-divided to help pinpoint specific aspects to be revised or adapted:

For example, if looking at instructions, are they:

  • succinct
  • sufficient
  • self-standing
  • standardised
  • separated
  • sequenced / staged

The universal criterion needs to be revised and monitored to maintain consistency and validity. Questions should reflect evaluators’ principles, but not impose a rigid methodology as a requirement of the materials. This may lead to some materials being dismissed due to pedagogical bias or assumptions. Are questions reliable so that other evaluators would interpret it in the same way? Are the terms and concepts applicable to differing interpretations of applied linguistics? If they are not, then it suggested that they are avoided or glossed (Tomlinson, 2013). I can relate to this point, there have been occasions, especially early on in my career, when my knowledge of meta-language and learning theories felt insufficient to contribute to a discussion about the pedagogical merits of materials. My lack of experience meant that I did not have the depth of knowledge to interpret tasks from different contexts and needs.

Williams (1983) (as cited in McGrath, 2002) makes a salient point that “a checklist is not a static phenomenon”. Every context is different, and therefore the strength that a list of criteria has is only relevant to the situation in which it is to be used. ‘Off-the-shelf’ checklists are likely to need adjustments to suit different contexts. The categories and checklists are supposed to be instruments of objective analysis, evaluation and observation, but they are as much a reflection of the time at which they were conceived and of the beliefs of the author (in the same way as the materials that they are being used to evaluate). Learning theories have evolved and will continued to do so and the evaluation must observe this fact too. You would not review an early mobile phone using the same criteria that you would for a modern smart phone it just isn’t the same device any more.

The evaluation checklist has to be relevant to the ELT context in which it is to be used. The framework for the checklist should be criterion-referenced based upon the principles that that evaluator(s) believes are most apt. The issue of what should be included in a checklist and what is superfluous to requirement is when evaluation can become very muddied and complicated. Tomlinson (2013) makes a valid distinction between general criteria i.e. essential features of any good teaching-learning material and specific criteria or context-related. In other words, general criteria is essential, and specific criteria can only be determined on a basis of individual circumstances. Moving from general to specific criteria McGrath (2002) believes will lead to the identification of a set of core criteria to be used or applied irrespective of evaluation method in any situation. While he also suggests that once the general criteria has been tentatively decided, the next step of populating the checklist with specific criteria that is comprehensive and relevant is potential ‘messy’. McGrath advises that reference to published checklists may assist in avoiding an over-zealous and context heavy criteria.

I feel there are some excellent points raised here because it is important for my principles to run alongside what is already in the ELT domain of what is good practice and essential to language learning. The general criteria must present a holistic picture of ELT. The general criteria may very well remain, but the specific will shift and adapt to the context and research developments. A general framework will inevitably lead to a more holistic and economical method of evaluation. For a consistent and balanced framework, the general criteria must consider current learning theories based on the findings of research that are most convincing and applicable in ELT.

(Tomlinson, 2013) suggests the following generally agreed upon criteria:

  • Deep processing: processing is semantically focused on meaning of the intake and relevance to learner.
  • Affective engagement
  • Mental connections: between new and familiar.
  • Experiential learning: apprehension before comprehension
  • Learner’s need to want to learn
  • Multidimensional processing – sensory imagining, affective association, use of an inner voice, learning experiences with emotions, attitudes, opinions and ideas.
  • Informal personal voice more likely to facilitate learning than those, which are formal and distant.
  • Informal discourse
  • Active rather than passive
  • Concreteness e.g. examples and anecdotes
  • Inclusiveness
  • Sharing experiences and opinions
  • Occasional casual redundancies rather than always being concise

In addition to the theories of ELT there is also the Second Language Acquisition (SLA) theories to consider. Adding to an already tricky task is the inconclusiveness and controversial variants in this field. This re-enforces the idea of avoiding rigidity, I must be careful here not the hold too tightly to my principles and beliefs, and allow other recognised pedagogical factors to influence my criteria. Tomlinson (2013) suggests some of the agreed upon ideas are:

Materials should:

  • Achieve impact.
  • Help learners feel at ease
  • What is being taught should be perceived as relevant and useful by learners
  • Facilitate learner investment
  • Learners are ready to acquire what’s being taught linguistic and developmental readiness and psychological readiness
  • Expose learners to authentic language use semi planned and unplanned discourse requiring a mental response
  • Learner’s attention should be drawn to linguistic features of the input
  • Provide opportunities to use target language to achieve communicative purpose
  • Take into account the positive effects of instruction are usually delayed Learners different learning styles
  • Take into account differing affective attitudes
  • Maximise learning potential encouraging intellectual aesthetic and emotional involvement stimulating both right and left brain activities
  • Opportunities for outcome feedback

The list of criteria could be infinite unless the evaluation is principled and the evaluator’s principles are overt and referenced to procedures (Tomlinson, 2013). The danger being, if an evaluation is ad-hoc it could lead to misleading results. This has definitely been the case in the past when I have been pre-evaluating course books.

McGrath (2002) says that individual criterion is a matter of judgement based on their circumstances. Again, it comes down to context and the specific criteria being used. If I were to evaluate materials for use outside of my classroom, would those that do not meet a specific piece of criterion be rejected or would it be suitable for something else? The rating, weighting and scoring format has paramount importance because the responses to the criteria are what determin decisions about those materials. In addition, the interpretations of data need rationalised assessment because high scores in one section of criteria does not automatically indicate suitable materials. What should be studied are: a widespread of desired features, and the concentration of scores in those areas. Care needs to be taken so answers don’t appear to be no-committal. Questionnaires that have several options could result in lots of ‘safe’ decsions being made. This opens up the consideration for a debate about open-ended questions and as they require more investment and are likely to offer more thoughtful responses. McGrath (2002) simply states that the acid test for clarity of criteria is to try it out.

The ordering and the amount of questions in each section or category is purely determined on its merits alone and there should be no strict regulations enforced on equality for each category or item because in fact not each part of the evaluation is as important as another. This is when the articulated principles should play a part on the different items present in the evaluation.

In order to make my checklist as reliable and valid as I possible the criterion-referenced checklist needs to evaluated. Tomlinson and Masuhara, (2010) advise the use of five clear questions to be asked of your evaluation criteria:

  1. Is each question and evaluation question?
  2. Does each question only ask one question?
  3. Is each question answerable?
  4. Is each question free of dogma?
  5. Is each question reliable in the sense that other evaluators would interpret it in the same way?

Tomlinson’s (2012) State-of-art article states that it is rare that checklists can satisfy all of these questions, which goes some way to further underlining that most evaluation checklists are not generalizable or transferable. Therefore, using other peoples published ones is not the job done. There is still plenty of work to be done.

This week’s section of the course has been really tough. Some of my peers did fantastic jobs on their evaluations. They cross-referenced their findings and made valid and reliable judgements for their teaching and learning contexts. That is the thing, it is so much of them in there that makes the evaluation what it is. The beliefs and principles that they set out from the start were completely different to mine from the previous week. There is no way of knowing if we had worked together whose principles would have taken president. The thing that scares me is the evaluating of the evaluating. The evaluation checking questions needed to check the actual evaluation questions. Does it tumble out of control and there is need to have the evaluative evaluation checking questions? If validity and reliability is to be trusted there needs to be a limit on bias as much as possible? I am not sure what my evaluation criteria will look like yet.Once I have created some materials I will evaluate them accordingly.

My general criteria (based on my articulated principles) would be:

  • They are contextually relevant to the learners needs.
  • Materials should provide opportunities for communication to take place.
  • Target language has a real world use and function beyond the classroom
  • Variety of approaches and types of task (this is more for a coursebook, I suspect)
  • Engagement – images, video, topics.

 

 

 

References

Mcgrath, I. (2002) Materials evaluation and design for language teaching, Edinburgh, Edinburgh University Press.

Tomlinson, B. (2012) Materials Development for Language Learning and Teaching. Language Teaching, 45 (2), 143-179.

Tomlinson, B., Editor of Compilation. (2013) Developing materials for language teaching, London, Bloomsbury Academic.

Tomlinson, B. & Masuhara, H. (2010) Research for materials development in language learning: evidence for best practice, London, Continuum.

Materials Evaluation (Pt1)

This is a big one, an important one, and sadly, it is this area of materials design that makes my head hurt slightly. There is so much that goes into an honest and reliable evaluation. It is one of the key aspects of materials design that I identified in the first week of the course.

Over the years in my many teaching roles I have been involved in many informal coursebook evaluations. These were generally part of my institution’s staff meetings and training segments. The process was one of proposed future coursebooks being given out in the meeting and then being asked to give our opinions and suggestions about which book we would prefer to use in our classes. Despite the clear lack of training, and for some of us experience, the unsystematic approach of few minutes’ flick-through was all that was provided for what should be a very important decision. The chosen coursebook would go on to form part of the syllabus for those classes and would hence dictate the topics, language and delivery in those classes. Teachers were forced to use them and the students were prompted to buy them.

Thinking and reading about evaluation has led me to the realisation that I evaluate materials everyday. The flexible manner in which my skills’ classes are structured means that I can use a variety of resources, either published or teacher authored. This requires daily evaluation of what learners may need and cross-referencing them with the suitability of the content, pedagogy and methods of those materials. However, I don’t feel that previously I have based my decisions on anything more than instinct or experience. That is not to say that those things aren’t important and valid, but I am keen to move forward. I need to recognise my articulated principles (as discussed in my previous posts) and apply them to my evaluation criteria as a means of having a systematic approach. If I am honest with myself, I don’t always consider the whole paradigm of methods e.g. I may opt for a more effective approach over a cognitive, or function over form. With a more rigorous examination of other evaluators’ principles, criteria and checklists I hope to dig deeper into my understanding of developing a well rounded approach to evaluation.

Tomlinson (2013) states that no two evaluations will ever be the same as the needs, objectives, backgrounds, and preferred styles differ from context to context. No matter how structured, criterion-referenced and rigorous an evaluation is; it will essentially be subjective. A starting point has to be about asking: who are the materials being evaluated for? The main point being that globally published materials cannot be evaluated in such way, but their effect is significant for those people who come into contact with them (learners, teachers, the syllabus, the evaluation itself). This echoes my sentiments about the coursebook evaluations I have experienced.

An evaluation is not an analysis because the objectives and procedures are different (Tomlinson, 2013). Analysis tries to offer objectivity by asking what the materials contain, and what they aim to achieve. This can be answered factually with “yes” or “no” responses or as a verifiable description. Here it should be acknowledged that any questionnaire written by evaluators might still be influenced by their own ideology and experience, and accordingly seen as biased. On the other hand, evaluation questions are in some ways about making judgements; answering on a sliding or Likert scale (for scores to be totalled) to measure the influence of something such as: “are the listening texts likely to engage the learner?”, choosing a grade between 1-5 (1 = very, 5 = not at all). This is something that I struggle with myself when presented with scales. The criteria can be very specific, but still an element of subjectivity can creep into your answers. Over a larger-scale questionnaire this may have significant impact on the outcome of the evaluation.

The unique situation of learning and teaching means that evaluators (professional or amateur) will adhere to their own conscious or subconscious principles. This in turn will drive the criteria used to glean the appropriate information to make evaluative judgments. The more experienced a teacher, the more likely they will be bringing the bias of their experience to an evaluation, thus potentially rendering it less valid. Tomlinson (2013) advocates that this possible bias should be articulated from the start in order to give the evaluation greater validity, reliability and less scope to be misleading.

McGrath (2002) uses Cunningworth’s point of view that course materials are not intrinsically good or bad, rather they are more or less effective in helping learners to reach particular goals in specific contexts. This is a very sobering thought that I must comprehend before I am drunk on evaluating power. The materials that others have designed are suitable for other contexts, maybe just not my classroom and therefore my judgement of them needs to be appropriate. It is important for me to note that when I evaluate any materials, my teaching requirements (academic skills and IELTS examinations) may not match the materials I am presented with and vice versa. This does not mean that those materials should be judged on that context alone; I don’t evaluate all the clothes in a department store when all I want to buy is gloves. The merits and demerits of socks are just not worth comparing for that context.

Evaluations differ in purpose, in personnel, in formality and in timing e.g. helping a publisher, someone doing their own research, developing their own materials, or writing a review for a journal. There are three stages when an evaluation can, or should take place. The most common one it seems in the institution that I have worked in is the pre-use evaluation and from talking to other colleagues that is their experience as well.

There are two dimensions to a systematic approach to materials evaluation that I must define before using them. The macro-dimension consists of a series of stages (the approach in the broad sense); the micro-dimension is what occurs within each stage (the steps or techniques employed). The pre-use, in-use and post-use evaluations are macro-dimensions, but the criteria within each of those is the micro-dimensions (McGrath 2002).

A pre-use evaluation makes predictions about potential value of materials that can be:

  • Context-free – reviewing for journal
  • Context influenced – review draft materials for a publisher with target users
  • Context dependent – selecting for use in a particular class (Tomlinson 2013)

They are often conducted on an impressionistic level and part of the quick-flick culture that has been the situation I have encountered most. Tomlinson (2013) describes it as “fundamentally a subjective rule of thumb activity.” However, McGrath (2002) mentions that checklists and more in-depth criterion-referenced evaluations can be used. This can hopefully reduce subjectivity and offer a more principled, rigorous, systematic and reliable outcome for judgements to be made.

In fact, McGrath (2002) supports the procedure that involves conducting a materials analysis first which is then followed by a first glance evaluation, user feedback and evaluation using context-specific checklists. This is not the only method that is used, others include:

  • Riazi (2003) surveys the teaching and learner situation conducting a neutral analysis and then carrying out a belief-driven evaluation.
  • Rudby (2003) uses a dynamic model of evaluation with categories for psychological validity, pedagogical validity and the process and content validity.
  • Mukundan (2006) uses a composite framework combining checklists, reflective journals and computer software to evaluate ELT TEXTBOOKS in Malaysia
  • McDonough (2013) develops criteria evaluating the suitability of materials in relation to usability, generalizability, adaptability and flexibility.

(All cited in McGrath, 2013)

The second type of evaluation is an in-use one; this offers a more objective and reliable perspective of the materials. It has the potential to make use of measurements rather than just relying on predictions because it will be able to reflect on the materials being used and the immediate reactions and effects. What can be measured in an in-use evaluation is:

  • Clarity of instruction
  • Clarity of lay-out
  • Comprehensibility of texts
  • Credibility of tasks
  • Achievability of tasks
  • Achievement of performance objectives
  • Potential for localisation
  • Practicality, teach ability, flexibility and appeal of materials
  • Motivating power of materials
  • Impact of materials
  • Effectiveness in facilitating short-term learning.

This does not mean that this type of evaluation is not without limitations. It can make judgments about the criteria that are observable and judgments about the material’s effects on short-term memory. However, it cannot claim to measure effective learning nor what is happening in the learner’s brain due to the delayed effect of instruction.

Post-evaluation is probably the most valuable (yet least administered) way to make judgements on the potential affordances and pertinence of materials for your classroom. This is because it is not economical or pragmatic for most institutions. It would take time and expertise to complete a post-evaluation successfully. If administered effectively it has the potential to note short-term effects with regards to motivation, impact and achievability. It could also examine and feedback on the long-term effects of durable learning and application. It can answer important questions as:

  • What learners know that they did not know before using the materials?
  • What do learners still do not know despite using the materials?
  • What can learners do that they could not do before?
  • What can’t learners still do despite using the materials?
  • To what extent have materials prepared learners for examinations?

The benefit for a post-evaluation is that it could measure actual learning outcomes through various ways of measuring: test what the materials have taught, test what the learners can do, interviews, questionnaires, criterion-referenced evaluations by the user etc. That type of data would provide reliable and robust feedback for decisions about the use, adaption or replacement of the materials to be made. There is still a need for caution because learning is not an exact science and variables like the following may affect outcomes in numerous ways: teacher effectiveness, parental support, language exposure outside the classroom, intrinsic motivation.

What is apparent is that for any evaluation to be systematic it is preferable for a criterion-referenced checklist to be employed, which will aid the gathering of data. Much like in the design of materials, for an evaluation to have any coherence and validity it needs a framework of principles of ELT to be compared against.

Based on my principles and what I have read so far, I would want to employ all three stages of evaluation of any material. This is obviously a long and time-consuming process. A pre-use evaluation is what my colleagues and I encounter most often. In line with my beliefs I would look for the following criteria in a pre-use evaluation:

  • Does the input appear to engage the learners?
  • Is it appropriate for their current level?
  • Is the input accessible and engaging?
  • Will the input and the tasks motivate/prompt students to interact with target language?
  • Do learners have opportunities to use target language in communicative tasks?
  • Are those communicative tasks useful for the language outside of the classroom?

In my next post I will look at the criteria and frameworks that can be used to evaluate materials. I will also discuss what some of my colleagues and I discussed in our seminar about materials evaluation.

References

Mcgrath, I. (2002) Materials evaluation and design for language teaching, Edinburgh, Edinburgh University Press.

Mcgrath, I. (2013) Teaching materials and the roles of EFL/ESL teachers: theory versus practice, London, Continuum.Tomlinson, B. (2012) Materials Development for Language Learning and Teaching. Language Teaching, 45 (2), 143-179.

Tomlinson, B., Editor of Compilation. (2013) Developing materials for language teaching, London, Bloomsbury Academic.

Material Design Frameworks (Pt2)

Once a teacher has established and articulated the principles providing the roots of the materials, it is important that the author creates a framework to support the different stages of development. This, in theory, is sequence of steps and stages that allows the author(s) to evaluate and adapt the materials in-line with the aforementioned principles.

This is exemplified by the diagram below in Jolly & Bolithio’s chapter cited in Tomlinson (2009).

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This shows that to identify a need is the starting point from which all things follow. This is a logical starting point and something that I must make sure I apply to my own materials. The concern I have is that I might be distracted by novelty and pleasing aesthetics rather than the pedagogical need of my learners. One of the main principles from my last post was engagement; there may have been occasions where my inclination has been to prioritise engagement and cosmetic motivation, while not asking myself “what will my students take from this?” Is being engaged enough? Was I pandering to the students’ approval? If the activity is involving and it encourages receptive and productive use of English then its merits as a pedagogical task cannot be questioned.

In my day-to-day interaction with materials, it is normally the case that I adapt something from published or  shared peer materials. This in turn means that upon discovering a task, or a suitable piece of input, it might be the pedagogy or the context that draws my attention and I would work backwards from there.  It is rare that I will have the time to carefully consider each one of the steps in the diagram and create my own materials. However, whatever I create or adapt needs to be part of the overall curriculum. It needs to recognised that individual materials are micro-considerations in the grand scale of a course. The macro-perspective is the desired aim of the students e.g. coursework or tests.

“Material writing is regarded as an end in itself, teachers believe that they can just write materials and not teach. The writing process is pointless without constant reference to the classroom.” Jolly and Bolitho (2009)

A critique of the diagram above is that it is a sequential and a rather undynamic illustration of what it takes to produce good materials. Jolly and Bolitho (2009) admit that this particular diagram is a simplified version of the ‘real’ process. The chronological simplicity may work for some or on occasion, but in reality it does not mirror the complexity that learning and teaching demands in the adaption and fine-tuning for the various context and needs materials could be used for.

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This diagram can be considered as more dynamic and self-adjusting in its approach to the process. The idea of flexibility appears to run through the core of material design and a framework should reflect that. In addition, Jolly and Bolitho (2009) point out “the human mind rarely works in a linear fashion when attempting to solve problems”. A flexible framework visualises a variety of optional pathways or feedback loops, which make the process dynamic and self-regulating. Doing an evaluation after classroom use means authors can check if they have met their objectives. Failure to meet objectives could be attributed to any or all of the preceding phases.

There are other factors that may affect outcomes when evaluating the success of materials that are outside of the framework, such as classroom management. In fact some form of analysis and/or pre-evaluation should take place at every stage of the process in order to allow the original principles articulated by the writers at the start to inform adjustments.

Pardo and Téllez (2009) use Graves’ (1997) non-sequential framework, which looks at the essential components in the process of creating and adapting didactic learning materials.

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Graves’ diagram is an interesting framework because it is not one of equal or sequential parts but rather one in which each individual’s context determines the process that needs more time and attention. It shows the seven essential components that make up the framework:

  • Needs assessment
  • Setting goals and objectives
  • Content
  • Developing and selecting materials and activities
  • Organisation of content
  • Evaluation
  • Resources and constraints

The telling aspect of this diagram is that it still has setting assessment needs at its core. It is clear that materials development (in the view of the experts) is at its most effective when it is tuned to the needs of a particular group of learners. Therefore the people who understand their learners are those who should be responsible for the principles and frameworks that are used to develop the materials used in their classrooms. All teachers who want to create and adapt materials that match their own principles need a grounded understanding of material frameworks. Knowledge of frameworks will assist in the evaluation of other people’s materials.

Materials writing raise some of the issues important to learning:

  • Selection and grading of language
  • Awareness of language
  • Knowledge of learning theories
  • Socio-cultural appropriacy

All teachers who endeavour to author their own materials will in fact start to learn their best methods and start to teach themselves. The process of trialling and evaluating are vital to the success of any materials (Tomlinson 2011)

This extended model for designing materials provides a coherent framework for the integration of various aspects of learning while at the same time allowing enough room for creativity and variety to flourish.

Hitchison and Waters (1987), as cited in Tomlinson (2011)

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  1. Input may take the form of a text dialogue, video-recording diagram etc.

It provides:

  • Stimulus to activities
  • New language items
  • Models of language use
  • Topic for communication
  • Opportunities for learners to use information-processing skills
  • Opportunities for learners to use existing knowledge both of the language and the subject matter.
  1. Content: texts convey information and feelings; non-linguistic input, and can be exploited to generate meaningful communication.
  2. Language: learners need language to carry out communicative tasks and activities. Good materials allow learners the opportunities to analyse language of the input, study how it works, and then practise putting it back together again.
  3. Task: since the ultimate purpose of language learning is language use, materials should be designed to lead to toward a communicative task in which learners use the content and the language knowledge they have acquired in the previous stage. (Hitchison and Waters,1987)

There are limitations to this framework as it lacks analysis of the learner’s current knowledge. Also, there is an assumption that productive competence is the only aim of a language learner and as Harwood (2010) rightly points out, there are a great number of learners (outside English speaking countries) whose primary/study objective is reading knowledge/competence. Therefore there is no reason why the final/main task should not be a receptive one (listening and reading).

Having examined several framworks it becomes clear that they all have their pros and cons. The process of designing materials is perpetual cycle that is informed by so many factors. Flexibility and reflection, i.e. evaluation at all stages, seem to be the key terms when constructing a workable framework. I feel quite privilaged to work in an environment that encourages the sharing of materials and ideas amongst its peers. In general, there is a supportive dynamic and the feedback loop is always available for ideas to be discussed and developed. In addition, I feel confortable to ask my students for their thoughts and feelings toward materials, as well as analysising their actual output.

 

References

Harwood, N. (2010) English language teaching materials: theory and practice, Cambridge, Cambridge University Press.

Pardo, A. N. & Téllez, T. (2009) ELT Materials: The Key to Fostering Effective Teaching and Learning Settings Materiales para la enseñanza del inglés: la clave para promover ambientes efectivos de enseñanza y aprendizaje. Profile Issues in Teachers’ Professional Development, 11, 171-186.

Tomlinson, B. (2011) Materials development in language teaching, Cambridge, Cambridge University Press.

Theresa Clement (Process, Principles and Practice of Writing Published Materials)

Theresa Clement was our first guest speaker on the course. Theresa is professional teacher and author of materials, with around two decades worth of experience. She currently works on pre-sessional teaching programmes and completes teacher training too. Theresa has an impressive CV and has previously worked on the Face-to-Face Cambridge series of books. Her first piece of published work was more in an editorial capacity. While working on that project she was given the opportunity to write the support books for the reading and writing skills in an Oxford University Press book called Natural English.

Around 18 months ago, she finished authoring and editing the English Unlimited series of course books. Her task for this session was to talk about the process, principles and practice of writing published materials.

It was interesting for Theresa to mention that she hoped the materials produced in the ‘English Unlimited’ actually reflect her beliefs of teaching and learning. Time is something that helps her to reflect on this kind of question. This makes sense because I suppose when you are in the thick of the process it is hard to see the wood for the trees. I guess that is why it is imperative to have your principles and frameworks in place from the start. The longer the time between completion and publication (around 18 months) does allow her the necessary time to reflect and ask herself, personal and pertinent questions about the work she has produced.

For the latest book (English Unlimited) Theresa was asked to collaborate with complete strangers. They had never met in person and they mainly communicated via SKYPE for hours on end. When you collaborate in such a way the differing personalities, principles and experiences really must throw up questions of personalisation and how much of the materials are really your beliefs and strategies? The writers starting point was to outline their principles that would be applied to the book. This was comforting to hear because that is what has become apparent from my background reading over the past month. Principles need to be the backbone of authoring any materials. However, at this point there was no mention of needs of the intended audience. The ideas of authoring a global coursebook must imply a more generalised and all encompassing view of learning needs.

Overall, there was a six-month period of planning before anyone had started writing materials. During this time they talked and debated about methods and approaches to ELT. That amount of time really illustrated to me the demands that collaborative approaches must take. There are main stakeholders all with differing viewpoints. I guess this is where the established research perspectives that are agreed upon in the main will thread everyone’s interests together.

Upon reflection Theresa has asked herself some questions about the materials that were eventually published:

  • How much of the principles and practices of my teaching are being presented in the materials?
  • How much of my views about language learning are reflected in the pages in English Unlimited?
  • Do the principles that we as a collective have given actual apply to the activities that actually happen in the book?

It was slightly disappointing to hear that the publishing company had veto power over some of the ELT approaches that were proposed. Theresa strongly believes in memorisation activities and their value to learning. Yet the publishers were against this style of approach and hence it was not used at all in the coursebook.

To clarify Theresa stipulated that her own views of ELT are based around two main areas of focus:

  • Affective engagement
  • Appropriate cognitive challenge

Theresa supported these beliefs with quotes from Tomlinson and Thornbury and essentially spoke of the importance of affective engagement. Learners need to have an emotional attachment and this enables learning. The cognitive challenges can come in many different forms and is flexible in the sense that teaching beliefs and strategies can accommodate these types of activities (eliciting, inductive approach integrated skills etc). Theresa stands by the perspective of lowering stress. She feels this is an important factor for students to engage. This is really context dependent and based on the motivations of the learners for being in the classroom.

A key practicality when planning and designing materials for a coursebook is space. Through our discussions in class and from my reading about materials the term ‘white space’ has cropped up again, and again. Personally, I feel that in general coursebook pages are too busy. It is apparent this type of design is to combat the rule of thumb flick tests that coursebook under go in pre-use evaluations. Theresa did not address this point during the talk and hindsight I wish I had asked more about it.

Theresa and her co-designers were set the brief by the publishers of English Unlimited promising:

“English Unlimited is a goals-based course for adults. Centred on purposeful, real-life objectives, it prepares learners to use English independently for global communication.”

Theresa highlighted the following key words as the main considerations in their planning and execution.

  • Goal-driven
  • Purposeful
  • Real-life objectives
  • Independent
  • Global communication

As part of the principles of the book the authors had to work within the Common European Framework of Reference (CEFR). This is based on research that aims to provide a transparent, coherent and comprehensive framework so titles do exactly what they say they are going to do; by stating clear definitions of syllabi, curriculum guidelines and the design of teaching etc.   Theresa made an interesting point about the competence levels assigned to these coursebooks “you can’t be a level; you need to work through it”. The CEFR is not something that has been on my radar before and maybe this is a glowing indictment of the value given to coursebook evaluation training.

The really interesting aspect of what Theresa presented was the brief that her and the team were given to author the English Unlimited series. The publishers wanted an approach that uses real natural English. This asks questions about what ‘real’ means and the real authentic vs pragmatic issues that would then ensue with the design and implementation of the material.

The coursebook uses vocabulary from the Cambridge International Corpus (CIC). The information from the corpora was then used as the starting point for everything that went into the particular chapters. Corpora lead to discovery of common features which fed into the choice of the topic. This novel (it seems to me) and evidence- based method of language informing decisions of topics and contexts are a breath of fresh air. Commonly, the impression I get from coursebooks is that topics are decided first and then language is crowbarred into those chapters. It is difficult for me to say that the book uses corpora well, based on a pre-use evaluation of one unit. Theresa did give a message of warning that this was not a simple process, but it does match the brief extremely well.

A second factor that really worked well with the brief that they were given was the removal of the Anglo-centric approach to delivery of input. The coursebook is very international in its visual elements and the language input. There are few examples of cultural bias by using westernised icons in ‘celebrity’ world. The ability to do this has been easier by the internet. Searches into different cultures icons are simple these days and when used in the book it gives a more inclusive feel, which again I thought was well considered and valuable.

The images were not the only more ‘natural’ English aspect that was employed. The recordings used for listening activities were recorded by Non-native speakers. This is in tune with the debates and discussions about teaching as a lingua franca, therefore, meeting the needs of the majority of learners whom will be using this coursebook. Exposure to a range of different voices from around the world helps cross-cultural conflicts, by enhancing ability to use English in international contexts. There are of course those who would question the natural errors that may arise and that were kept in the input. Theresa countered these claims by suggesting that it makes the experience more ‘real and in addition it gives examples of competent and motivating role models that can help to motivate and build confidence.

Hearing the process that Theresa and her team went through to design the materials of the coursebook has gone some way to restoring some faith in the pedagogical intent in the design of coursebooks. The use of evidence based information to inform decisions is something that resonates strongly with me.

What did strike me though was through the reflection that Theresa has gone through and the actual struggles she encountered through the ‘publishing machine’ it does seem like an author needs to potentially sacrifice part of their beliefs and practice. This has lead some authors to feel ashamed of their writing by being pushed to publish something that they did not believe in. So the hope is that if you do design materials based on your principles and beliefs through the publishing machine, there are no guarantee you are going to recognise what comes out the other side and even worse is that you don’t like it.

machine

http://bit.ly/1GET8Pp

Principles of ELT Materials Development (Pt1)

This week we looked at the principles of developing materials. In this post I will look at the approaches and methods of the experts. Then I will analyse the top 5 principles of teaching and learning that I arrived at during our seminar discussion.

Firstly, let me address the term materials development. Pardo and Téllez (2009) offer a definition (for materials development) that they say is most apt due to its inclusivity. “It includes adaption, creation of learning and teaching exercises, a task, an activity, a lesson, a unit, or a module composed of several units.” They support this with a quote from Low (1989) who says:

“Designing appropriate materials is not a science: it is a strange mixture of imagination, insight and analytical reasoning.”

During our seminar presentation materials development was described as a field of study and a practical undertaking. As a field, it studies the principles and procedures of the design, implementation, and evaluation of language teaching materials. As a practical undertaking it is anything where writers or learners provide sources of language input, and exploit it in ways that maximise the likelihood of intake and stimulates output.

What I comprehend from these descriptions is that material development is a process guided by rules and responsibilities, but the criteria and parameters are self-constructed. This is allows the teacher to promote their values and beliefs in whichever creative, or pragmatic way they wish.

How do experts author their materials?

In Tomlinson’s (2012) State-of-the Art article, he describes experienced writers as those who use their instincts and prior-knowledge as the main influence on their process. Repertoire and creative inspiration are terms that are utilised, but principles and frameworks are referred to less so. This may be because experienced authors have ingrained principles and are intuitively considered.  Tomlinson (2012) mentions that experts plan and draft their materials, while also waiting for inspiration. What really jumped out at me in his description was: “experts have clear and well-supported concepts, while designing in opportunistic ways that always consider the students’ needs first”. Once again it is the need that is the jumping off point for material design.

As mentioned in my ‘Materials Now’ post, one of the other ingredients for principled materials development seems to be experience. To be able to differentiate and pre-empt possible needs and learner difficulties can only come with an understanding of Second Language Acquisition. Awareness of these potential issues from the inception of the materials development process are a real advantage. Tomlinson (2012) expresses his preference for materials development as an on-going process of evaluation driven by a set of agreed principles. Both universal ones applicable to any type of learning context and then local criteria specific to the target language context.

Tomlinson (as cited in Harwood, 2010) advocates a principled development of materials through coherent applications of:

1. Theories of language acquisition and development.
2. Principles of teaching.
3. Current knowledge of how target language is actually used.
4. Results of systemic observation and evaluation of materials in use.

These applications would come under the universal criteria. Each application opens up a series of questions. Tomlinson (2012) expands on this by saying that materials should stem from SLA theory, leading to universal principles that in conjunction act as tools for development and evaluation.

Based on Tomlinson’s four decades of experience of teaching English he offers his proposed principles for ELT materials:

1. A prerequisite for language acquisition is that learners are exposed to a rich, meaningful, and comprehensible input of language use.

● Plentiful of spoken and written texts providing language useage from a variety of text types and genres relating to different topics, themes, events, locations, targeted to learners

2. To maximise learner exposure to language in use, they need to be engaged both affectively and cognitively in the language experience.

● Thinking while experiencing language helps deeper processing for effective durable learning plus higher-level skills e.g. predicting, connecting, interpreting, and evaluating second language use.

3. Learners who achieve positive effects are much more likely to achieve communicative competence than those who don’t.

● Texts and tasks must be interesting relevant, and enjoyable

4. Learners using materials resources typically that are also utilized when acquiring first language.

● Help learners reflect on their mental activity during a task, and then make use of mental strategies in similar tasks.

5. Learners can benefit from noticing salient features of input.

Apprehend before comprehend and intuit before explore. Using an experiential approach, where a student is engaged holistically and they learn implicitly. Later they revisit and reflect paying conscious attention to features in order to explicitly learn.

6. Learners need opportunities to use language to try to achieve communicative purposes.

● Learners produce language in order to achieve intended outcomes

Hall (1995) as cited in Tomlinson’s chapter on Principles of Effective Materials Development (2010) insists the crucial question is: How do we think that people learn languages? He lists the principles that he believes underpins everything we do in planning and writing of materials:

● Need to communicate
● Need for long-term goals
● Need for authenticity
● Need for student-centeredness

There is a magnitude of literature that proposes beliefs and principles and the lists could go on. The examples I have put on the post thus far are not by any means conclusive. That is in some respects is an impossible job without consideration of the learners’ need, the learners’ background, the timing and the teachers’ beliefs.

However, as mentioned at the top of the post I will discuss my five beliefs of ELT. The method to which I came to finalise these principles was through discovery, rather than a prolonged and agonising internal debate. A detailed and fruitful exercise that my peers and I participated in enabled us to reveal our five core beliefs for the learning and teaching language.

The sentence head for the tasks was:

Materials should…………

From there we wrote down our ideas. These declarations were then incorporated with other professional examples from other authors in the field. After deliberation and peer discussion, we whittled our way down to a personalised final list. Therefore, there may be some reliability issue due to the influence of others, but in general I would say that it does reflect a lot of who I am as a teacher and what I want as a learner too.

Eventually, my final five read like this:

Materials should:

● Engage students
● Encourage leaners to apply their developing skills to the world beyond the classroom.
● Be perceived by learners as relevant and useful
● Provide opportunities to use the target language to achieve communicative purpose.
● Take a balance of approaches in the way things are covered, inductive, deductive, and affective approaches to grammar, fluency and accuracy work.

 

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On the whole, I am fairly satisfied with the results of this exercise as it does support my sociocultural and constructivist hypothesis for learning language. These theories apply themselves to idea that learning is about communication and using the language for a purpose. It is exposure to the language through doing that allows acquisition to take place. Relevance and use are connected heavily to a communicative purpose. If a learner has a goal they will be engaged in the process of achieving that goal. They will practice and recycle their language and expose themselves to as much of that language as they can to achieve that aim. This in turn will allow for an eclectic approach that is concerned with achievement and not just accuracy.

References

Pardo, A. N. & María Fernanda Téllez, T. (2009) ELT Materials: The Key to Fostering Effective Teaching and Learning Settings Materiales para la enseñanza del inglés: la clave para promover ambientes efectivos de enseñanza y aprendizaje. Profile Issues in Teachers’ Professional Development, 11, 171-186.

Tomlinson, B. (2010) Principles for effective materials development. In (Ed) Harwood, N. (2010) English language teaching materials: theory and practice, Cambridge, Cambridge University Press.

Tomlinson, B. (2012) Materials Development for Language Learning and Teaching. Language Teaching, 45 (2), 143-179.

Gamification

My use of this post is two-fold . One, I am interested in infographics as a ‘new’ way to present information that is both informative and visually engaging, and the second reason is that I am very interested in gamification in ELT.

Gamification Infographic

Created by Knewton and Column Five Media

The use of infographics is a really good way to demonstrate data and ideas. There are sites such as infogr.am where you can build your own infographic. I produce a very rough guide to the NNES and NES debate as part of my Teacher Development module on this course. It was failry intuitive and fun to do. It is another option beyond the death by power point. The use of visuals is excellent and really gets your audience and students attention https://infogr.am/the_nest_nnest_debate

Your Brain on Video Games

In this web section I am going to use to post things that I find on the web that effect or have effected my beliefs and practice of language teaching and learning.

This is something that I wanted to share. I originally watched this video as part of a Flipped class I taught. The idea was that students would watch the video and answer some comprehension questions as their homework. This would take place prior to a discussion in class. The discussion was based on the controversy surrounding video games and their effects on young people. To counterbalance the medias fairly focused view about violence and the corruption of youth I want a positive perspective on video games. This talk is both engaging (which I also point out to my skills students about audience participation), but is based on empirical studies highlighting the physical and cognitive benefits of video games. Anyway, the information that I drew from this has really changed some my teaching practice and beliefs in the affordances of video games in education. I recently wrote an essay about incidental vocabulary learning through commercial-off-the-shelf video games. In a lot of ways that essay would have not come together if it were not for this Ted-Talk. I am starting my quest for the chocolate covered broccoli (if you watch it, this makes sense).

Also, have a look at the media and video section of this blog to the see the Ted-Ed website.