Category: AD395 – Final Major Project

zine and trend research

I researched and analysed the content and tone of existing alternative and independent publications I already admire, for example Mushpit which comments on contemporary society an attitudes in art, fashion and culture and focuses on satirical features and adverts, as well as more focused feminist zines such as Sister and Polyester which are full of contributors’ submissions around specific themes, aimed at creating a safe space for readers to express themselves away from the world of mass-produced, mainstream publications and media. I wanted to fill a gap in the market by finding a middle-ground – was it possible to create an independent publication that allowed readers to input their views, words and visuals while commenting on the attitudes, politics and lifestyles brands so often buy into and try to sell back to us?

I started to think about lifestyles and attitudes that are popular at the moment and that I had observed both online and in the world around me. I decided to focus my research on the surging trend in “self-care”, which many brands have very recently been using to invent and promote products which claim to help us look after ourselves, or become a better “you” – when really “self-care” is not something that can be bought with an expensive yoga mat, diet guide or silky pyjamas. An article published on online platform Girlboss brought these issues to light; titled “Selling Self-Care: The Awkward Perils Of Going Mainstream”, it commented on the capitalist issues surrounding this trend and how important behaviours for our physical and mental health can lose their meaning or importance when marketed as a fashion statement, or something that only the privileged can access.

brand identity and development with Teresa Havvas

T U T O R I A L :  T E R E S A  H A V V A S

My tutorial with brand consultant Teresa Havvas was particularly motivating and inspiring in thinking about what my project could become and where I want FILLER to go.

We discussed the existence of ‘feminist’ publications and decided to avoid categorising it as feminist/anti-fashion, and instead let it organically develop with things that inspire or interest me.

Feminist connotations I originally gave the word ‘filler’ can now also mean ‘filling’ the space in our heads/time. The publication could include powerful thinkpieces, not necessarily related to the ‘angry’ feminist discourse. We discussed the possibility of perhaps not putting out a call for submissions and instead focusing on the unknown, letting people be surprised by the content. Each issue could be a surprise in terms of theme, format, content and release date.

To progress with these ideas and allow my project to be a lot freer and organic in its development, I aim to take in everything around me that inspires me – visiting London to see more exhibitions as well as book stores to think about design, formatting and brand identity. I have a trip to Berlin coming up which will also be a great opportunity to collect inspiration (fashion, visual or otherwise) and allow me to collect research and ideas from different contexts and surroundings.

North: Fashioning Identity @ Somerset House

I visited the North: Fashioning Identity exhibition at Somerset House to collect ideas around how I can research within fashion and culture and curate a creative outcome. The exhibition was curated by Lou Stoppard and Adam Murray, and Lou Stoppard is a constant source of inspiration to me in the fashion journalism and curation world. The exhibition was a vast, detailed display of how the fashion and art industry has taken inspiration from the culture and history of the north of England.

The exhibition space was curated into sections that unpick different areas of how the North is depicted and drawn up – looking first at documentary and fashion photography throughout the ages that has featured recognisable symbols and stereotypes (architecture and landscape, ‘the quintessential Northern woman’ and the Northern family and lifestyle).

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final major project: initial primary research

U S I N G  A R T  A S  A C T I V I S M : C H E E R  U P  L U V

To start off my investigation, research and idea generation for my FMP I wanted to experience first-hand what creatives are doing to provoke thought and change with their work, focusing on the feminist debates I researched for my statement of intent. Cheer Up Luv is a photojournalism project I’ve followed for a while, by Brighton graduate Eliza Hatch. Hatch interviews women all over the country on their experiences of sexual harassment and pairs their story with 35mm-shot portrait, to create a collection of profiles of victims of public harassment. The collected stories are posted on @cheerupluv on Instagram as well as on the project’s website, cheerupluv.com.

I love the goal of this project to raise awareness and create a community of support and solidarity for victims. Cheer Up Luv is a great example of using art as activism. I am particularly interested in the use of photography, film and journalism to spread messages and provoke change through a creative output.

I feel people are more likely to pay attention and engage with a form of activism if it is inclusive and easily accessible, and presented in a visually pleasing/intriguing way. Using the internet and social media to spread the word and gain support and awareness is an increasingly successful and effective way that projects can gain popularity.

Cheer Up Luv on Instagram @cheerupluv

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