This is a presentation I gave as part of the Temporal Drawing Event hosted by the Drawing Research Network at Loughborough University. The talk speculates on how the simultaneous manifestation of multiple times may occur in the creative process as a method of invention, generating a larger critical discourse on creative methods in research practice. It does so through the discussion of an ongoing body of drawings and research that stem out of my investigations into temporal drawing. With an interest in the time-based relationships of both the architecturally propositional drawing (as a projection of a future place, with its own inhabitations and unfoldings) and the drawing process itself (as an instigator of imagined futures), I ask what the possible connections between these temporalities might unearth, and what consequences they may have on space and place in the territory of the drawing.