Extracting Us. Creative engagements on the front lines
24 June 2020 12:00 – 13:30 – BST free online event
Photo credit: Coal mine in East Kalimantan, from Henri Ismail overlaid with protest graffiti in Western France, from Elona Hoover.
Creative practices are central to activism on the front lines of resistance against forces that are changing the skin of the planet. Viruses don’t stop machines, and extractive practices continue despite the current pandemic, affecting organising and creating. How do creative engagements on the front lines continue in a pandemic? How does COVID-19 emphasise the importance of continued acts of solidarity and resistance? What are ways of continuing the ‘doing’ but also new ways of ‘not doing’ or ‘doing differently’?
In anticipation of the launch of Extracting Us, an online collaborative exhibition and conversation, artists-activists-scholars will share their experiences of doing this work: Tracy Glynn, participatory action researcher studying at the University of New Brunswick in Canada, Edgar Xakriabá, Denilson Baniwa and Jaider Esbell, independent artists and activists based in Brazil, Negar Elodie Behzadi, Lecturer at the University of Bristol working in Tajikistan, and Daiara Tukano, independent artists activist educator and researcher based in Brasilia Brazil (TBC).
Katy Beinart from the University of Brighton will then host a discussion with Persephone Pearl, co-director at ONCA Gallery in Brighton, Jamille Pinheiro Dias, Research Associate at the University of Manchester, and Wendy Harcourt, Professor of Gender, Diversity and Sustainable Development at Erasmus University in the Netherlands.
The webinar will finish with 25 minutes of questions and discussion with participants, who will also be invited to contribute actively during the event.
Free event, places are limited. Sign up at: https://www.eventbrite.co.uk/e/creative-engagements-on-the-front-lines-tickets-107840738552
The Extracting Us exhibition and conversation series are being co-curated by Siti Maimunah, Elona Hoover, Alice Owen, Dian Ekowati and Becky Elmhirst.
This project has received support from ONCA Gallery, the Centre of Spatial, Environmental and Cultural Politics at the University of Brighton, WEGO-ITN European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 764908. We are also grateful for the collaboration of members of The British Academy funded project ‘Sustainable’ Development and Atmospheres of Violence: Experiences of Environmental Defenders.