Shapes and Colours of Nature

Milan born photographer Luca Tombolini uses large format photography and an eye for the simplicity in nature to create unique landscape photographs. His choice of angles and the soft, pastel coloured light which illuminates the fluent shapes of rock and sand, allow for images that  blur the line between photography and painting.

 

Luca Tombolini 4
http://www.lucatombolini.net

Some of his photos are not immediately recognisable for what they are, nature become an abstract; a conglomerate of contrasting and complementing shapes and colours.

Luca Tombolini 5
http://www.lucatombolini.net

Luca Tombolini’s work immediately resonated with me. In an interview he said the reason he is drawn towards the desert and primordial places is because they allow his mind to shift to a more essential state. For long periods of time he immerses himself into the landscape, the process of creating is a slow one, not only because he uses large format film to capture his photographs.

Luca Tombolini 7
http://www.lucatombolini.net

Although the circumstances do not allow me to photograph anything like and as Luca Tombolini does I still see his work as an important source of inspiration for my project.

For my portfolio, which will be a collection of photographs of the sea in Malta, I seek to integrate some of Tombolini’s approaches to colour composition and choice of angles. This I will try to do by photographing mainly during the morning and evening hours of the day, when the light is softer and I get a higher chance of pastel colours.

 

Texture and Colour

Here I looked into the difference in texture and choice of colour in photographs of the sea.

The first image resonated with me as the photographer achieves the seemingly endless vastness of the sea blending with the blue of the horizon. The flat surface creates softness and although the colours of the photo are all different shades of blue the texture of the water make the image interesting to me.

water
https://www.lensculture.com/search/projects?q=sea&modal=project-296301-boundaries-outdoor-paintings

Also in this colour palette is the image below however here, the texture of light and water is very different. The sharp rays of the sun perching through the surface, illuminating the two freedivers makes the depth of the water visible, almost tangible. Very different from the first photo this one captures the dimension of the sea vertically, the angle of photographing upwards creates a sense of the unknown of what is below. The first image shows only the surface of the sea, the horizontal dimension and thus the vastness rather than depth.

Furthermore, the second photo also holds an air of mystique to it. The sun rays can almost seem like the light falling through the windows of a tall cathedral.

water people
https://www.lensculture.com/pepe-arcos?modal=project-413650

Lastly, I chose this photo as it shows yet another textuality of the water, the soft waves smooth surface illuminated by an orange sky. The perspective of the photographer is just above the surface almost submerged into the gesturing stream.

water
https://www.lensculture.com/search/projects?q=sea&modal=project-296301-boundaries-outdoor-paintings

 

Group Exercice “Art School”

In Week 8 during our camera workshop at Grand Parade we were given the brief “Art School“. In groups of 4 we spread out to find interesting features and objects that we could photograph to fulfil the brief. Our group first went with the colour green, we took photos of plants in the stairway and posters that had anything green in them. However, we didn’t really feel comfortable with this response, especially since there weren’t that many green objects around the campus. We then changed our plan and decided to go for lockers instead. Many of the lockers in the hallway had stickers and paint on them which in our opinion really captured the creative and free spirited atmosphere at the Grand Parade campus.

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