Out of all three experiments, I think these edits appear more sophisticated due to the evident contrast of monochrome tones, these shades are always prevalent within fashion and society. The monochrome edits reflect the shoot well as I used a white sheet and a black background – which juxtapose each other. The use of these colours simply animated the garment more than the original image. I also think these are as abstract as the ‘white on white’ edits, as the audience may not know what they are looking at, drawing them into looking at my final piece. Despite this, I think this contrast is quite harsh to look at because there is a strong difference between the two tones. Although the two tones are predominant in my shoot, they appear softer due to the styling of the shoot and the softbox lighting, muting all the colours down.  I think all three edits were successful and strong because they all fit my theme well, but I have to chose what would work better as my final piece, considering aspects of each edit.