Like the other photographers I have photographed, Keizō photographers genuine, everyday people and shows their stories through his work. My favourite collection was his USSR photos in 1991, however it has been argued that his work could be a tool for radical expression. I also like how Some of his images have been rephotographed for maximum grain and distortion, but even without this manipulation much of the later work has a similarly edgy, ominous mood. I like how his lighting fits with the edgy atmosphere similar to Gregory Crewdson.