Lately I have been trying to broaden my research by studying other creative practitioners and the way they work, in order to gain a wider insight into factors that may effect they’re creative process and practice. The book What Artist Wear by fashion journalist Charlie Porter is a thought written novel evaluating how art is made and the ‘relationship between and autonomy, freedom and power’, stated by novelist and cultural critic, Olivia Laing.
The book investigates not only the art, but the artists themselves; by providing background knowledge and historic photographs of artists such as Louise Bourgeois and Yves Klein; Charlie Porter conctextualises the art they produced and what they wore during the process whilst analysing how this may have effected the outcome.
The novel highly corresponds to my Final Major Projects concept: The Performative Aspect, as it maintains a key focus on the actions of the artists, studying them as if they were performer themselves. Charlie Porter’s journalistic approach simplifies fashion analysis in a brilliantly eye-opening way. Through out the novel there is a multitude of documentary photography, cataloguing artists as a muse. This is something that links heavily to my project and has helped me expand my perception of documentary photography.
The process of photographing artists as though they are a performer moves documentary photography from Street Casting to being more purposeful. Within my own work I aim to change an audiences perception of what people see as a traditional Performance to viewing the actions of humans as a performance; much like the photographs of the artists featured in What Artist Wear. I think by taking a journalistic approach to my Project, inspired by Charlie Porter, it will help contextualise my creative working, making my concept clearer to my target audience.