The reader – language, class and politics. Who is the reader the dystopia assumes?

Hybridising the genre – from classic to critical dystopia, eco-critical to post-apocalyptic dystopia. Are all genres dystopian or has the dystopian sub-genre dissolved into post-apocalypticism?

Globalising the corpus – comparing the trajectory taken by dystopian fiction in  Anglo-American texts to the trajectories taken in post-colonial spaces. 

The Industry