What if, instead of paint or other ‘conventional’ media , artists like Cy Twombly or Basquiat applied their vibrant character to digital mediums? I aim to explore the capacity for organic expression in the digital format as we inevitably enter our. By considering practical IT programmes/technologies as one might with traditional art materials, I aim to evoke a human irregularity and character to an otherwise harsh synthetic format. I would like to understand the relationship between digital and traditional art processes and what this means for the future of Art History and convention.