Now felt like a good time to write a little post about some very recent goings on. The Design Archives’ Deputy Curator Dr Lesley Whitworth has curated an exhibition at the University’s Grand Parade Gallery. The exhibition is entitled ‘Design Research & Its Participants’ and has been complied to sit alongside the fiftieth anniversary conference of the Design Reserach Society, taking place at Grand Parade next week. My colleague Barbara Taylor and I, as well as our brilliant volunteer and this year’s graduate Nika Narkeviciute, have helped Lesley to put together the exhibition, which runs until the 1st July.
My main involvement in helping with the putting together of the exhibition, alongside digitising materials, was to do with how the materials for the exhibition were going to be displayed. They have been compiled from across six of the collections at the Design Archives, with some materials borrowed from Design Research Society members and the Royal College of Arts. When it comes to ‘hands on’ conservation and preservation, this has meant not only surface cleaning and mending, but sorting out the safest way for the items to be displayed. The selection of items in the exhibition vary from photographs to posters, volumes of books, audio and individual sheets of paper.
Lesley and I also had a fun trip to the Royal College of Arts to collect the loan of two posters and two Christmas cards for the exhibition. For the Icograda 50th Anniversary exhibition, we had a special poster transporting contraption made for us for two different sizes of posters. We have struggled to find the space to store them, but the smaller of the two came in very handy as we used public transport to get from the Design Archives to the RCA and back, with the posters completely unharmed and oblivious to the journey they had just made. We were told they had not ‘seen the light of day’ for a good while, so it is great that they are now being seen.
From an eye-catching point-of-view, my favourite thing in the exhibition is the giant book standing at the entrance of the gallery. I absolutely love it – the execution of the idea is great, and it also serenades my current anything-in-lime-green -state-of-mind. But I digress.
The original book consists of the papers presented at the conference around ‘systematic and intuitive mehods in engineering, industrial design, architecture and communications’, held at the Imperial College in London in September, 1962. There are two ‘normal-sized’ copies of the volume in the exhibition too – one of them is from the Design Archives (Design Council Collection), and the other borrowed from St Peter’s House Library. One copy is displayed open and the other closed.
To create the magnificent giant replica of the book, it obviously needed to be digitised; the scanning was not done in-house in this instance. Prior to digitising anything, the condition of the original needs to be assessed. As the book is in relatively good condition, the only thing for me to do prior to its digitisation was to clean the covers with my trusted Mars Staedler in hand and wish her well!
There are several factors that always need to be considered before an exhibition of archival (or any other, in fact) materials takes place. In a nutshell the light levels, humidity, temperature, VOC’s from paints and mounting – to name a few – have to be taken into account. This particular exhibition runs for a two-week period and consists of materials in robust condition, so these issues were not of grave concern. However, sheets of acid-free paper were placed underneath all items displayed in cases and books were given supports to protect their spines if displayed open. Pages were given polyester strip ‘holds’ to keep them in place where opened, and documents were cleaned and mended where needed. Photographs were mounted using acid free corners and posters hinge-mounted.