Expanding on my research and experimentation into accessibility and inclusive design in relation to those with disabilities, I also set out to explore how fashion and clothing which is a crucial element to the majority of the population whether disabled or not and how it could be transformed. This led me to conduct an in-depth analysis into current inclusive and adaptive apparel brands and design theories, ensuring to understand how these items functioned both from a practical and visual standpoint. The main aim in doing this was to deepen my knowledge of how small structural interventions in the form of fastenings, could mitigate barriers for those who are in need of physical, cognitive or sensory differences. I also want to maintain a understanding and reference to on trend styles to ensure that these clothes are relevant and empowering for the individual removing any form of exclusion.
To begin this process, I went about sourcing a shirt and trousers which i acquired from a charity shop, ensuring that these items aligned with sustainable practices. By adapting this existing clothing as opposed to manufacturing new clothing it situates the clothing within accessible initiatives, it also demonstrates that this form of inclusive design does not entirely need to be resourced using harmful fabrics or be exclusive to specialised brands.
Going forward, as a representation of my design process i focused on sketching the designs first, expressing the various fastening systems which could replace existing buttons, zips and clasps. The focus of the sketches was to emphasis that the introduction of accessible fasteners would reduce cognitive load and fine motor movements which are associated with the act of dressing. I wanted to emphasis this as it was a reoccurring theme in my research.
The sketches allowed me to translate a visual representation of the drafting phase of my concept. The goal is to communicate the idea that these types of clothing do not need to be medically adaptive but practical and inclusive reducing overall stigma.
As this progressed, I deconstructed the traditional fastenings and restraining features of the clothing. This consisted of removing the buttons and using a sewing machine I was given through work to replace with Velcro discs. The Velcro was also donated to me from someone i work with, it acts as a element which eases the usability and blend seamlessly into where the buttons once were.
In regards to the trousers, I installed lines of Velcro along the seam of one leg and around the waistband. This is in the effort to allow those who use them to be able to step into the trouser with one leg or have the trouser wrap around them. This was inspired by the Levi campaign which saw each seam of the leg replaced with zippers to aid those who were unable to dress the conventional way.
In terms of reflection, this experimentation allowed me to understand the value of adaptive apparel and the importance of usability and subtlety. For many of those who are disabled, clothing is a part of their identity and inevitably confidence which they wear everyday. By creating this clothing and sharing design theories throuch communicative tools it allows me to support independence without compromising personal expressions.