School of Art professor Paul Sermon collaborates with artists on online performance installation (Saturday, May 23, 12pm-1.30pm).
Pandemic Encounters explores the implications of the migratory transition to the third space we are all experiencing. Even when we return to the so-called normal, we will be changed, when social interaction and human engagement will have undergone a radical transformation. In this new work, Paul Sermon performs as a live chroma-figure in a deep third space audio-visual environment, interacting with action-performers from around the world – artists, musicians, dancers, media practitioners and scientists – a collective response to a global pandemic that has triggered an unfolding metamorphosis of the human condition.
Action-performers: Annie Abrahams (France), Clarissa Ribeiro (Brazil), Roberta Buiani (Canada), Andrew Denton (New Zealand), Bhavani Esapathi (UK), Tania Fraga (Brazil), Satinder Gill (US), Birgitta Hosea (UK), Charles Lane (US), Ng Wen Lei (Singapore), Marilene Oliver (Canada), Serena Pang (Singapore), Daniel Pinheiro (Portugal), Olga Remneva (Russia), Toni Sant (UK), Rejane Spitz (Brazil), Atau Tanaka (UK).
Leonardo/The International Society for the Arts, Sciences and Technology (Leonardo/ISAST) is a nonprofit organization that serves the global network of distinguished scholars, artists, scientists, researchers and thinkers through our programs, which focus on interdisciplinary work, creative output and innovation.
The Third Space Network, created by Randall Packer, is an artist-driven internet platform for staging creative dialogue, live performance and uncategorizable activisms: social empowerment through the act of becoming our own broadcast media.
Global LASER is a new series of networked events that bring together artists, scientists, and technologists in the creation of experimental forms of live Internet performance and creative dialogue.
“In this perilous time, we are witnessing the global phenomenon of a migration into the third space with unknown existential ramifications. We find ourselves, en masse, in a strange new world, a new medial landscape, like a hall of mirrors, gazing at reflections of ourselves + others through the lens of the ubiquitous Webcam. We have been forced into this telematic world to remove and isolate ourselves from the hellish outside reality of the pandemic. The third space has become for many a safe haven from a world turned upside down, a safety net, a buffer zone to salvage and resurrect human contact, virtually, while remaining separated by distance and geography. Who knows what this new world will look like, and who knows to what degree our social behaviors, interactions, intimacies, and creative actions will have been forever altered & reconfigured.”