In film and media there are terms that are used that some may not understand.

Mise en Scene – Is the arrangement of the props and scenery within the set of the film or on a stage. This includes wardrobe, lighting, camera placement and angles – anything that builds up a shot.

Shot Reverse Shot – Also known as a counter-shot, is what is used in a scene where two characters are having a conversation. The shot is usually of one of the characters to one side of the frame (e.g. left), and the second character to other side of the frame (right), this is so viewers feel the natural flow of the conversation: following the 180° rule to avoid confusion.
Pan/Track/Zoom – These are three techniques used when filming, a pan is a shot that moves from one side of the frame to the other ( left to right/right to left) not to be confused with a tilt which moves up/down or down/up. A tracking shot is a shot that moves alongside the subject this can be backwards/forwards/alongside, so long as the camera is moving  and following. A zoom shot, never changes camera position only the lens and focus is being manipulated (wide-shot to close-up/close-up to wide-shot).
Psychoanalysis (Film Theory) – Is a school of academic thought that evokes of the concepts of psychoanalysts Sigmund Freud and Jacques Lacan. That are used in film.
Suture – These are techniques used in film to make us forget about the camera, that helps audiences envision themselves as the camera instead.
The Gaze – The gaze can refer to two elements in film. A ‘male gaze‘ is well known, shots that sexualise and objectifies women mostly, no matter there backstory or their relevance to the story. For example Natasha Romanoff in Iron Man 2, Scarlett Johansson was objectified even with such an interesting character through shots focusing on her figure and looks. As for ‘female gaze‘ this often refers to the more emotional, detailed shots focusing on the effects that a character is going through.
Audience – In film this refers to those watching the film, to be more specific there can be a ‘target audience‘ e.g. Marvel films are now often aimed towards adolescents and young adults. The audience is simply the viewer.
Representation – The basics of representation in film is how a character or group of people are presented to the audience. Often for audiences characters may represent some sort of belief, society/community, minorities, etc. Representation is how the media presents those things, whether that representation is deemed fair is often up to the audience.
Montage – Is a collective of short segments of footage often overlaid with music. Two or more images coming together to create a completely new meaning. Examples of montage may be seen with Eisenstein’s methods: Metric, Rhythmic, Tonal, Over-tonal and Intellectual.
Metric – Cutting according to exact measurement, irregardless of the content presented.
Rhythmic – Also known as continuity editing, rhythmic is cutting according to the content of the shot.
– Tonal – Is based on the emotional tone of the piece: two or more shots that share a commonality either visually/auditorily and emotionally.
– Over-tonal – A more abstract variation of montage, a combination of the previous three montage to create a new effect for the audiences. Themes, tones and overtones intermingling.
– Intellectual – Is cutting according to the shots’ relationship to the intellectual concept of the film.
Cinema of Attractions – The development of ‘Early Cinema’ and a form of film represented mostly through visuals, where audiences would be invested in the production even if for nothing other than the moving image.
Examples and further explanations of montage can be found here: https://www.youtube.com/watch?v=NtnTs90knro
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