Observational Drawing : A study of dead flowers

I started off with some observational ink drawings of some dead flowers I had in my room; I bought these flowers after the break down of a relationship, and did not throw them away. I started to think about the meanings behind the act of giving flowers, and also what had made me keep them. I wanted to explore the semiotics, and metaphors I had created around the flowers, and how one can create such a memory association with objects.

Starting A Return Journey

After Having enjoyed the process and creating the outcome from the first part of the project, I wanted to create a sequel zine, that would carry on the theme of exploring a journey of self realisation. I decided I wanted to focus on a metaphorical theme of exploring unnecessary romanticisation of specific places or objects after the break down of a relationship. I wanted to explore a journey of trying to live in ‘The real world’ and the journey of stopping association of things with a certain person or past memories, in order to move on into another stage of life.

I Haven’t Been Feeling Myself Lately

I recently saw an expedition at the oxo tower in Southbank, by an Artist called Luke Norton. I picked up this Zine at the gallery that had a summary of the work in the exhibition in it, I really liked the minimal composition and use of negative space in the zine layout. The exhibition itself was also very good, I really enjoyed the element of ‘found object word art’ , as this is something I enjoy about using text in my own work

”You make your own reality

Behind a wall inside your head

and unless you open it up, no one can share or understand it”

Thinking about layouts




lets just say that graphic design isn’t really my forte, even though I am not very good at making things look uniform and linear and straight, I always have a very specific vision in my head of the aesthetics oh how I want things I create to look. On this particular zine I really struggled on the layout when arranging how I wanted the image, text and type to look – I really wanted to experiment with negative space, with a quite minimalist composition of image, photos and words on each page, I often find a minimalist composition harder to get right that a more visually busy one, so I spent a lot of time making sure things where Simi straight. In hindsight I probably should have used Indesign, instead of Photoshop to orange the actual pages of the zine and it would have been a lot less time consuming . I thought my decision to use so much negative space in the layout was a good one, as I think it focusses the audience to notice the small details of the image or photograph.

Semiotics

I wanted to create some imagery to represent the tube in London, and the stops I was familiar with when I would take this weekly journal. I have bit of an obsession with collecting Sanpellegrino drink labels, as I really enjoy the bright colours, and when I was arranging them in my journal I was listing to a song by the cribs that mentioned the circle line, and I liked the idea of the labels representing these specific stops on the underground. I also think that the design of the drink labels are reminiscent of the underground symbol anyway.

Photography and Collage material

I had a disposable camera that had half the film used up, half with photos I had taken in London of the journey in question I wanted to depict in the zine, I decided to fill the rest of the camera with imagery from train stations and other landmarks on the journey. I thought these photos would not only be good to feature in the zine but also a good premise to draw from.

Journey Part 1 – project aims

As I was not going on the Newyork or Barcelona trips, I was a little worried that the imagery ect.. in the zines I would make would not be as interesting as everyone elses , despite this; rather than making my zines about a specific location or journey, I set out the aim of the project to address a current metaphorical journey of my own. (this is me saying I’m basically making more art about a break up). I wanted to combine and explore a literal and metaphorical journey in this zine. For the literal side of the journey I wanted to depict the weekly journey I would make to London to see my ex boyfriend, and the interest I have in travelling to London, as I am from a small rural market town in the midlands, I would always associate travelling via trains (or any means of transport really) very exiting, as for me getting on a train would always mean escaping a boring town I very much hated living in. This is why I decided to call the zine ”Escaping the Cave”, which is of course also a reference to (Philosopher) Plato’s dialogue of ‘The republic’ in which he outlines the analogy of the cave. Plato’s Cave is essentially a metaphor to explain how Plato believed human empiricism is flawed, and how the world we reside in is a mere shadow of the truth that is supposedly in ‘The realm of forms’, which in his analogy is outside the cave. I thought this was a good metaphorical association with the current journey I wanted to depict in the zine, as I wanted to explore how I had experienced a similar period of enlightenment after the relationship break up, and how sometimes our judgement of things can be flawed by our sensory knowledge.

Experimenting Digitally with Pattern Making




I started experimenting with compiling the ‘Memory Patterns’ I had made, on a larger scale digitally. I liked how the compositions that just had a singular colour conveyed quite a specific feeling or effect, and the compositions with a multitude of different colours and marks had a more chaotic feel to them, whilst still painting the child like aesthetic that I wanted.