Semiotics: Final GIFs

Touching necklace and licking lips

Touching neck and looking up

Touching lips and biting lips

Licking lips and playing with hair

Touching face and winking

Above are my final set of five GIFs, to play on each GIF simply click on the image. I choose these five GIFs as there is variety within each GIF between the two combined gestures, there is also variety between each of the five GIFs. Despite being variety between both of the gestures in each GIF they still run smoothly due to the similar lighting and positioning within the photographs.

These GIFs combine two different flirtatious gestures together, both of which would be subconsciously understood by the viewer. However the way in which they are combined causes confusion and distorts the meaning of both gestures, despite them both trying to convey the same message. These GIFs can be seen as a play on the idea of someone receiving mixed signals. Mixed signals is when an individual believes that another person is sending signals that they are interested in the individual and at the same time also sending signals that they are not interested.

Semiotics: GIFs

Biting lips and winking (click on the GIF to preview)

Touching earrings and licking lips (click on the GIF to preview)

Winking and licking lips (click on the GIF to preview)

3 of my initial GIFs that I produced in Adobe Photoshop. To create these GIFs I imported my images using scripts > load files into stack. I then created a frame animation in the timeline window and made frames from the layers. I also set each frame to play for 0.1s, with exception to the replaced frame which I set to 0.12s, before I formatted the GIF to loop forever.

I have decided to not include these three GIFs in my final selection as the GIFs as a set are too similar. Furthermore the replaced frames do not smoothly integrate with the rest of the GIF, therefore disrupting them and taking away from the content for the GIF.

Semiotics: GIF Photography

    

During my crit it was suggested that I further develop my self portrait photography of me re enacting gestures related to flirtatious body language. It was suggested I make a series of GIFs of me acting out a gesture, however one frame in each GIF is replaced with an image from another gesture, therefore mixing the gestures and the meaning associated with them. To begin doing this I reshot the photoshoot, this was due to all images for one gesture needing to continuously shot and have the same lighting, which was not the case with the first photoshoot. Above are my contact sheets from the photoshoot, each gesture is represented by a row of 10 images, which will make a 10 frame GIF. In the contact sheet in each row I have replaced the keyframe for that gesture with a frame from another gesture.

The gestures featured in the above contact sheet include: winking, lip biting, licking lips, playing with earrings, playing with necklace, playing with hair, touching face, touching neck and touching lips.

Semiotics: Photography Cropping

As influenced by my research into books exploring the themes of love and flirting, I have closely cropped my a select few of my photographs from my previous photoshoot. The photoshoot featured a series of self portrait photography, documenting me reenacting flirtatious body language gestures. From the series of photographs I selected those which best illustrated some of the main flirtatious gestures to experiment with. Above I have experimented with the gestures winking, licking lips and lip biting. In photoshop I explored cropping each image in a variety of ways and found that the more closely the cropped the image the more successful it was. By closely cropping the image you feel closer to the subject and therefore it is more intimate, this idea of an intimate distance relates to my earlier research into proxemics. Furthermore I enjoy how the photographs are closely cropped as they remove the subject’s identity, which not only help the audience to focus on the body language and not on the model, but it also allows the audience to easily identify with the model or apply the actions being shown to someone else.

Semiotics: Photography

 

I started to exploring flirting through self portrait photography, above are contact sheets showing me reenacting flirtatious body language. To capture the entire of the gestures I set the camera to take 10 continuous shoots once the trigger was pressed, therefore capturing the action of the gesture in 10 photographs. The body language included are as follow:

  • Lip biting
  • Licking lips
  • Winking
  • Rapid blinking
  • Raised eyebrows
  • Looking up
  • Looking down
  • Looking away
  • Touching face
  • Touching lips
  • Touching neck
  • Touching jewellery
  • Leaning in close