Experimental Film Workshop

We are happy to have Louise Colbourne from Design For Digital Media with us to lead two workhops on experimental film.

Places are limited so please email Louise (l.a.colbourne@brighton.ac.uk) to secure your place. Information on the two sessions can be found below.

DIRECT ANIMATION Room:225 5pm 15th November 2018

This workshop will to offer you the opportunity to work directly with celluloid 16mm film using the technique of direct animation.
This is a practical workshop in which you will be provided some 16mm film stock to work on top of to create a loop of a few seconds in length. We will then join the loop and play the outcomes through a 16mm projector. It is possible to capture the projected images on a camera or phone if you would like to use them in the future.
You will also be shown how to effect and adapt the optical sound track.
The process of direct animation involves either scratching into the surface of the film’s emulsion to make sequential patterns and shapes, or drawing / painting images, textures and shapes on to clear leader.

CONTACT PRINTING Grand Parade Dark-room 7th February 2019

A further workshop will be held in a darkroom facility where you will be able to process your own short film strips. The technique used is contact printing (or photogram) and an optical soundtrack can also be created here. It is possible to create contact prints by exposing small objects and other film strips onto high contrast film stock which then creates an inverted, negative image.

Further research

Cinema of Attractions:
https://www.youtube.com/watch?v=IQpcaoc4X3Q

Stan Brackage:
https://www.youtube.com/watch?v=ALUc4cx4LZI

Liz Rhodes:
http://www.youtube.com/watch?v=ts5uT0Pdj4c

Lynn Loo:
http://dewfields.co.uk/work/filmwork/vowels_and_consonants.html

Norman McLaren:
https://www.youtube.com/watch?v=3bqzgWkEsws

Oskar Fischinger:
https://www.youtube.com/watch?v=6Xc4g00FFLk

Ian Helliwell:
http://www.ianhelliwell.co.uk/

Sally Golding
http://sallygolding.com/performances/super-grotesquerie

Marcel Duchamp
https://www.youtube.com/watch?v=dXINTf8kXCc

Bruce McClure
https://vimeo.com/18499974

Tutor:

Louise Colbourne:
l.a.colbourne@brighton.ac.uk

Masterclass: Life in Sound: A freelancers perspective on how to make what you love, a profession.

The first session for our series of Masterclasses is led by our recent alumnus Jeph Vanger. The sesison is scheduled for Monday 22nd October, 4:30-6 in the Performance Studio (R225, GP).

More info on the session below.

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Jeph Vanger is an Athens-born electronic composer, sound designer and loudspeaker enthusiast working with the medium of sound in connection with the fields of contemporary dance, theatre and installation art. He graduated from Digital Music & Sound Arts course at the University of Brighton last June and over the last couple of years, his works have been performed, presented or exhibited at Fort Process Sound & Art Festival, Tate Modern, London Design Festival, and Athens & Epidaurus Festival to name a few. He just finished his mini UK tour with the 3D audio installation Sφera and in addition, he’s working on various compositions for contemporary dance and theatre productions as well as working as a Performing Arts Technician.
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Life in Sound: A freelancers perspective on how to make what you love, a profession.
During my lecture/presentation/workshop I will share my experiences as a freelance sound artist while giving practical guidance and perspectives on where to find sound and music related work, how to chase up projects, design your website & CV as well as sharing unusual stories from my freelance career. Most and foremost it will be about motivation on how to make the most out of the DMSA course and on how to make what you love a profession, not only after graduation, but also now, whilst still being at university.

Note: In case the students are willing to share their existing CVs and websites, it would be a great chance for discussion and exchange of ideas on how to adjust/improve them, based on their niche and their aspirations.
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Visit Jeph’s website:

https://www.jephvanger.com/

Professional Practice Masterclasses

We are happy to launch our series of masterclasses for this semester with talks and hand-on presentations on music production, arts curation, sound design and composition for theater, dance, film and radio. Most importantly, for this first round of sessions we focused on bring back alumni of the DMSA course who have succeeded in the professional world along with current students and members of the newly established Creative Sound & Music Research and Enterprise Group.

Joshua Legallienne On Tour

Joshua Legallienne, DMSA Alumnus and currently member of our team, will be on tour in late October with UK sound artist Timothy Didymus. The two artists will present a series of acoustic sound performances in Vienna and Berlin. As part of the tour, Joshua and Timothy will be doing an hour of live sound on Kunstradio and Austrian Ö1 radio which will be broadcast online and accessible worldwide 28th October 23:00-00:00.

More info on the dates:

24/10 | VIENNA – ALTE SCHMIEDE:
https://www.alte-schmiede.at/programm/2018-10-24-1900/

28/10 | VIENNA – ORF Ö1:
https://oe1.orf.at/programm/20181028/530674

and KUNSTRADIO.AT:
http://www.kunstradio.at/2018B/28_10_18.html

01/11 SPEKTRUM BERLIN:
https://spektrumberlin.de/events/detail/joshua-legallienne-timothy-didymus-500.html

Digital Gestures | Human Contact Exhibition at ONCA Gallery

24-25 September 2018 | 24th Sept: Launch 6-8pm / 25th Sept: 12-5pm
ONCA
4 St George’s Pl,
Brighton
BN1 4GB
[map]
[Facebook Event]

We are happy to be supporting the upcoming exhibition titled ‘Digital Gestures | Human Contact‘ at ONCA gallery for Brighton Digital Festival.

The exhibition features works developed by 2nd year students in our course. The works have been developed in partnership with Fab Lab (University of Brighton) and Mi.Mu.

The two installations on display in Digital Gestures, Human Contact offer an inspiring, surprising and mesmering journey through digital motion sensor technologies, music and visuals where the audiences become interchangeably performers and observers.

54 Bones is a gesturally based performance art installation for an audience of one. It uses gestural glove controllers to trigger and manipulate sounds, using a series of gestures and movements inspired by British Sign Language. The work aims to extend the ephemeral moment at which sound, language and meaning collide, resulting in a truly intimate, human experience for each person who takes part, leaving them free to interpret what the interaction means to them.

Cogflux.01 is an interactive audio-visual installation by PRTCL Collective aiming to break the barrier between audience and performer through the use of motion sensor technology, generative audio and visuals. The piece aims to conceptually adopt the headspace one obtains whilst traveling long distances, which was inspired by Kaihōgyō, a walking meditation process used by Buddhist monks for more than 1000 years.

Artists exhibiting:
54 Bones – Duncan Cabral, Olivia Louvel, Jamie Moore, Dominic Rae
Cogflux.01 – PRTCL Collective are Jedd Winterburn, Tarek El Goraicy, Matt Were, Louis Sterling, Jack Cleary, Visuals: Joe Wheater

Poster and Banner Design: Jedd Winterburn

Creative Sound & Music Research and Enterprise Group

Dr Maria Papadomanolaki has recently launched the Creative Sound & Music Research and Enterprise Group, a new research initiative focusing on sound and music related research across different media, contexts and applications. The aim of the research group is to create an interdisciplinary forum within the School of Media and across the University of Brighton, where ideas and practices are brought in dialogue with a common goal to develop strategies for impactful, outward and community facing projects, student and staff collaborations and practice-based research.

By bringing together researchers and practitioners from the School of Media who carry expertise on various areas relating to sound and music, the REG has the following interrelated strands
1) Creative Sound and Music in Community contexts
2) Music, Popular Culture and Digital Media
3) Immersive Music and Audio Research
4) Audiovisual Media Research

The above strands aim to address the ongoing research and practice topics of its core members but to also open up to debates relating, among others, to ecology, community engagement, heritage, mental health and well being, gender studies, open source technologies, design and innovation. The REG builds upon partnerships with, among others, the Lighthouse, Our Future City, Wired Sussex, Brighton Digital Festival to host events that create awareness and impact around the group’s research topics.

More info can be found here.