Olivia Louvel Performance at Hello Goobye Show.

Listen to Olivia Louvel performing a live set at Resonance FM’s “Hello Goodbye Show” presented by deXter Bentley, aired on Saturday 16th March 2019.

PLAYLIST

Lunatraktors – Black Raven

Rip, Rig & Panic – The Blue Blue Third

Mark Springer – Teatro Castagnoli di Scansano II

Olivia Louvel – Langside 1568 (LIVE SESSION)

Olivia Louvel – Deploy (LIVE SESSION)

Olivia Louvel – The Veil (LIVE SESSION)

Olivia Louvel – Battlefront (LIVE SESSION)

Olivia Louvel – February 8th 1587 (LIVE SESSION)

Olivia Louvel – ‘interview’

Agathe Max – Rêves Perdus

Misha Gray’s Prehistoric Jazz Quintet – Colossus Of Rhodes

The Comet Is Coming – Summon The Fire

Map 71 – Gyrate Formidable Receptors

Robert Sotelo – Bronte Paths

Hygiene – Holloway Road

ILL – Bus Shelter

Presented by deXter Bentley

Live sound engineers: Julian Sander, Nick Cron, Girish Rambaran & Pip McKenzie

DMSA Alumni, Students and Staff showcased @ IWD2019

As part of the International Women’s Day 2019 campaign to #BalanceforBetter, Sound and Music showcase the profiles of 31 composers and their unique contributions to composition in the UK. Alumni Akiko Haruna and Guoda Dirzyte, current student Jade Gunner and DMSA Course Leader Dr Maria Papadomanolaki are profiled in the showcase that is part of the online archive of British Music Collection.

British Music Collection provides unparalleled access to the modern history of composition in the UK. Established in 1967 as a means for contemporary composers to deposit scores and recordings for performers to access, it now consists of almost 70,000 works and recordings from over 3000 20th and 21st century composers and sound artists.

The value in the collection is undeniable – providing access to over 50 years of contemporary composition – but it’s not without fault. The underrepresentation of female composers, or those who identify as female, across the original collection is stark, and a reminder of the progress that has been made, and must continue to happen, in and across new music.

Much of the British Music Collection now exists here online, and this provides a great opportunity to readdress this imbalance and the original aim of the collection: providing access to the work of contemporary composers.

Olivia Louvel & Louis Sterling are recipients of awards

Two of our Level 5 students have received awards for their outstanding performance on the course as part of University of Brighton’s annual Student & Staff Celebration Event.The event is an opportunity for the University to thank their donors for their fantastic, generous support and to celebrate the achievements of students, Olivia Louvel has been awarded the Norman Cook Digital Music and Sound Arts Breakthrough Award and Louis Sterling an Employability Fund Award!

‘Training Ground’ @ KOMEDIA | 10/12/18

Monday 10th December 2018 | 8pm – Late
KOMEDIA Brighton

[Map]

Successfully running for its 10th year, the student-led DMSA club night is happening again on the 10th of December at Komedia, one of Brighton’s established music venues.

More infor below and on the facebook event page.

EXPERIMENTAL | LIVE PERFORMANCES | ELECTRONICA | DJ’S

Training Ground is a fun live performance night in the heart of Brighton at Komedia.
There will be a variety of performances all showcasing different elements of music, sound and image.

***8-Late
***£5 On the door

INCLUDING
___________________________________
Experimental Music
Live Performance
DJ’s Set
Acoustic sets
Noise Music
Ambient Music
Techno Music
Projections

PERFORMANCES:
____________________________________
Jack & Jordan
Vince Vanity
George Sparrow
Josh & Ryan
Luke Josper
Cyphon
Sunday, Early Morning (+Tarek)
Tarek (+ Sunday, Early Morning)
Onism

DJ’s
_____________________________________
Javier
Matthew
Jack A
Donald

Masterclass with Olivia Louvel: Document and Construct: sound, women and battles.

Monday 3rd December 2018, 4:30-6, Performance Studio, GP

Our current student Olivia Louvel will be leading the next masterclass on a very inspiring range of topics: sound women and battles.

About the session

Document and Construct: sound, women and battles.
I will explore the relationship between documentation and creation throughout my most recent works, Data Regina, inspired by the reign and writings of Mary Queen of Scots as well as the audiovisual piece, Afraid of Women, produced to bring awareness to Rojava, the autonomous region in Northern Syria.

Finally I will share my experience as a member of female:pressure, the international network of female, transgender and non-binary artists in the fields of electronic music and digital arts founded by Electric Indigo.
The session will be punctuated by sound intermission and live performance.

About Olivia

Olivia Louvel is a French-born, British composer, producer and artist whose work draws on voice, computer music and digital narrative. She operates on the frontier of art and electronic music. Her work also ranges from video art to live performance. Over the last decade, she has released six solo albums published on various labels, Angelika Koehlermann (Austria), Optical Sound (France) and on Cat Werk Imprint, her own production tool.
Her largest project to date Data Regina is a multimedia suite in which she explores the reigns of Mary Queen of Scots and Elizabeth I, delivering her own singular transposition through an interactive digital platform and a cd publication. She was featured with Data Regina in The Wire magazine.

Her work has been supported by the Arts Council of England. In 2011, she was awarded the Qwartz Album for Doll Divider at the Qwartz Electronic Music Awards.

Olivia Louvel has received extensive airplay on significant radio programs such as BBC Radio 6’s Freak Zone, BBC Radio 3’s Late Junction, Resonance (UK), RTE Lyric FM’s Nova (Ireland), Radio Eins’s Elektro Beat (Germany), NRK’s Harald Are Lund (Norway), RTVE Radio 3’s Fluido Rosa, RTVE Radio 3’s Atmosfera (Spain), RAI 3’s Battiti (Italy), and France Musique’s La Matinale.

She has presented her work at venues and festivals such as Spirit of Gravity (Brighton 2017), Nawr (BBC Hall, Swansea 2017), Brighton Digital Festival (2017), Iklectik (London 2016), CTM (Berlin 2016), Dear Serge (De La Warr, Bexhill 2015), Culture Night (Dublin 2015), Earsthetic Festival (Brighton Dome 2013), at Tri XL (Antwerp 2010), Le Cube (Paris 2009), Ososphere Festival (Strasburg 2009), Electron Festival (Geneva 2008). She has opened for artists such as Japanese avant-garde artist Phew at Iklectik London, Planningtorock at the Earsthetic Festival Brighton Dome and Recoil for various concerts on the European ‘Selected’ tour.

LINK http://www.olivialouvel.com

Joshua Legallienne to support Charalambides | The Rose Hill, 24 Nov

DMSA Alumni and current member of the DMSA team, Joshua Legallienne will be supporting the texan acid-folk duo (although this is a limiting label to their music) Charalambides on their Brighton concert at the Rose Hill on 24th November. Joshua will be performing a solo set for acoustic guitar which will be the perfect openenr for the duo’s hazy folk repertoire.

Charalambides founders Tom & Christina Carter dedicate themselves to a vision of iconoclastic music as transformative force. Touching on the outer limits of acid folk, psych rock, and improvisation, their sound remains uniquely personal & consistent. Formed in Houston in 1991, Charalambides has produced dozens of releases on labels like Siltbreeze, Time-Lag, Kranky, & their own imprint, Wholly Other. The duo will be touring in Europe in support of their forthcoming release, Proper, coming out in the autumn of 2018 with Drawing Room Records.

More info on the event here.

DMSA Feature: Laurence Owen

We talk to Laurence Owen ahead of his masterclass on Monday the 26th. Laurence graduated from the course in 2011 and since then he has led an amazing career as a freelance composer, songwriter, sound designer and voice performer. He has written music for the BBC, Toyota, O2, Stella Artois, Sipsmith, ARTE, The Beano, Historic Royal Palaces and the V&A Museum, and provides sound design for critically-acclaimed multimedia theatre company 1927.

DMSA: Where do we find you now?
LO: Physically, I’m catching up on some admin in my living room in Norwich. Mentally, I’m formulating the music and lyrics for an upcoming musical adaptation of Jekyll & Hyde that I’m working on.

DMSA: Three important words that represent you as a creative person
LO: 1. Craft – I’m more interested in making things that serve a function than making things that exist purely for themselves.
2. Accessibility – I don’t personally subscribe to the “if anyone else likes what you’re doing, that’s just a bonus” philosophy (but completely respect anyone who does).
3. Narrative – I like stories, and I like making (and consuming) music and sound that involves storytelling elements.

Laurence Owen – Composer Showreel from Laurence Owen on Vimeo.

DMSA: When did you start working with sound and music?
LO: I started writing and recording music when I was 14. I really hope I’ve improved a little bit since then.

DMSA: In what ways has the DMSA course supported or helped you to develop into who you are today creatively and professionally?
LO: Having the space, time, equipment and permission to work was, on its own, hugely helpful. But I also left feeling actively encouraged to blur the lines between sound and music, art and design, highbrow and lowbrow. The DMSA course taught me that there are no set paths into the creative industry, and no set careers when you arrive in it.

DMSA: Can you tell us a bit more about The Time Machine?
LO: The Time Machine is the most recent of four productions I’ve co-written with my writer wife Lindsay for the Edinburgh Festival Fringe. It’s a musical adaptation of HG Wells’ novel, and although it’s a Victorian story, we’ve chosen to tell it in the style of a 1950s radio play. We have a table of foley sound effects, and I’ve written a Bernard Herrmann style B-movie score, as well as playing live theremin during the show. We’ve been touring the country with it for a year, and it’s just about to be retired so that we can work on our next production.

DMSA: Other plans for the future? projects, events, visions?
LO: Our Jekyll & Hyde show is the next major project I’m working on. Aside from that, I’ve always enjoyed scoring factual/documentary work, so I hope to do more of that. I’m also seeking to score more experiential entertainment – theme parks, VR attractions, interactive museum installations, and so on. But truthfully, I never know what’s around the corner. That’s what keeps this job exciting, and a little scary… but in a good way!

Imagined Title Sequences at CINECITY

Please pop in to the opening event of Imagined Title Sequences by School of Media students, which will be running in rotation from 4.30-6.00pm this Thursday the 22nd in the foyer of Edward Street.

The project was produced in association with CINECITY The Brighton Film Festival. All of the sequences have been made by the BA Design for Digital Media students in Level 5. Some of the students have used footage kindly leant by Screen Archive South East and some of the sequences have been made in collaboration with Level 5 students on the BA Digital Music and Sound Arts course.

It will also be screened on Fri 23rd, Sat 24th & Mon 25th Nov 10am-5pm.

Masterclass with Laurence Owen: How to be a Jack-Of-All-Trades Composer

Monday 26 November, 4:30-6, Performance Studio, GP

We are thrilled to have critically acclaimed composer Laurence Owen (DMSA alumni 2011) back to give a masterclass.

About Laurence
Laurence Owen (DMSA 2011) is a composer, songwriter, sound designer and voice performer. He has written music for the BBC, Toyota, O2, Stella Artois, Sipsmith, ARTE, The Beano, Historic Royal Palaces and the V&A Museum, and provides sound design for critically-acclaimed multimedia theatre company 1927. His film credits include the Sundance Film Festival official selection White Morning, which earned him two music award nominations at SoundTrack Cologne Festival. Laurence has produced music and sound design for productions at London’s Young Vic and Trafalgar Studios theatres, and was nominated for Best Theatre Sound at the ProSound Awards for his work on 1927’s Golem. He has also co-written four original musicals for the Edinburgh Festival Fringe (one of which won a 2015 Malcolm Hardee Award), and was composer and musical director of Cat & Mouse, a Village Underground and 1927 co-production.

Website:
www.laurenceowen.co.uk

About the session:
How to be a Jack-Of-All-Trades Composer
For the last seven years, I’ve been professionally making music for a wide array of film, theatre, radio, TV and corporate clients – mostly just a few days’ work at a time. It’s not all been glamorous, but it has all been solid, paid composing work. By not specialising with laser-focus on any one area, I’ve built up a diverse and ever-growing network of clients that has provided me a livelihood.

In this session, I’ll tell you about the steps I’ve taken up to this point, ever-available opportunities that you could exploit, and how to keep you well-prepared and confident in this competitive field. Since DMSA students all have different specialities, I’d also like to find out your individual skills, and discuss how you might apply them to kickstart this kind of composing career.

Professional Practice Masterclass: Louis Sterling

Monday 19 November 2018 | 4:30 -6(ish) | Performance Studio, GP

The next masterclass will feature Louis Sterling, currently on his 3rd year in the course. Louis will be discussing
the release of his upcoming album on David Augusts’ label 99Chants, and tips about leading a career as a freelance recording artist, both musically and with labels.

Louis is currently on tour with David August. Catch him playling live his new set of ambient material on one of the dates.

About

Louis Sterling, formerly known as Auxx, is a multi-genre recording artist from Bath, United Kingdom.

A classically trained musician, he toured under Dr. Peter King with the Bath Abbey Cathedral, absorbing the unique melodic and textural elements of traditional world music; a foundation to his flexible sound design, electronic synthesis and sonic programming consisting of up to 80 different layers. To this day, he proceeds to creatively explore composition and sonic art forms with electronics, acoustic instruments and the contemporary visual arts through a range of technical approaches and aesthetics.

He is also the proud owner of ID Spectral, a brand, record label and multi-disciplinary arts collective that promotes the talents of both up and coming creatives worldwide. The imprint is currently in partnership with the University of Brighton, Resonance Extra and Radio Cascabel London.

Link:
https://www.auxxofficial.com/