Jordan Edge and Joshua Legallienne (DMSA Team) will be among the invited artists to participate in this year’s Koumaria Residency.
Organised by intermedia collective Medea Electronique since 2009, the goal of the residency is the creation of an educational experience for the participants that will inspire and exalt their future work. The cross-cultural dialogues that the residency engenders both create new artistic speculations and smelt older assumptions. Past residents have formed lasting friendships and new artistic partnerships. Medea Electronique, being an eclectic art collective, is interested in people from diverse cultural and artistic backgrounds. For us the residency serves as a model for future creative endeavors.
The 6th iteration of the soundcamp at Stave HIll Ecological Park will take place over the International Dawn Chorus Day weekend (4-5 May) with a program of live sounds of daybreak together with installations, walks, workshops and discussions exploring urban ecologies and sound.
The event is organised by Dr Maria Papadomanolaki and her colleagues at Soundcamp. This year it will also feature a new ‘Single-Material Performance’ by Joshua Legallienne (DMSA Team and DMSA alumni).
In Single-Material Performance, one or more performers manipulate a giant, bio-degradable plastic sheet to produce a range of complex sounds and rhythms. Due to the particular physical properties of the material, the sheet animates with very subtle changes in air pressure; causing the material to create sound as it interacts with itself. Performers respond to the fluctuations in air pressure by altering the form of the material to shape the sounds produced. The piece reveals the invisible and inaudible; sonifying infrasonic (sound waves below the lower limit of human audibility) variations in air pressure of the environment.
More info on the soundcamp project can be found here. The full program is here.
Fraser Owen, currently in his second year on our course, offers a unique perspective merging gender-bending electronic music production and cross-dressing. This month we talk to him about his inspirations, visions and current projects. Fraser will be performing under his ‘Vince Vanity’ alias as part of the IDS showcase, this thursday @ Werks Central.
DMSA: Three important words that represent you as a creative person
FO: Ambitious, Provocative, Contemporary.
DMSA: When did you start working with sound and music?
FO: In my early teens I discovered electronic music and began to experiment using software belonging to my father (a video editor).
DMSA: In what ways has the DMSA course supported or helped you to develop into who you are today creatively and professionally?
FO: The exposure to a wide range of existing work has broadened my horizons and pushed me to re-evaluate my relationship to both sound, and the wider world of art. In my practical work I have begun to realize my aesthetic approach and apply it through a range of mediums and purposes.
DMSA: Can you tell us a bit more about your project Vince Vanity?
FO: Vince is the pseudonym I created for drag performance. Although Vince is a character/aesthetic, I also wanted her to reflect the thoughts and emotions in ourselves we try to ignore or hide, to provoke and connect to people on a personal level, and also as an experiment of self-discovery. Drag has also proved to be a way of expressing the thoughts, emotions, and interests which I do acknowledge but would rather not personify in my everyday life. I knew early on that I wanted to release music as Vince but delayed it until I felt completely comfortable expressing myself through this format. Working under the pseudonym, I found I had a much more focused approach by not letting too many of my personal feelings leak into the creative process. I also found a sense of liberation, possibly from the idea of hiding behind a character, and began to experiment a lot more. I have now created music, visuals, performance work, and combinations of these under this name.
DMSA: Other plans for the future? projects, events, visions?
FO: I would like to continue working in nightlife as a performer, to contribute to ensuring art maintains its place in the forefront. I am currently working on more music and more elaborate performances. I would like to work on more collaborative projects and begin to offer my skills as a freelance artist; where this will take me, I am unsure of, but I am excited for the future regardless.
The student-led label IDSpectral will be hosting a showcase this thursday 11th of April, 6-10pm GMT at Werks Central in collaboration with Casa Creativa. Expect a range of sounds, frequencies and vibrations by our students with live performances by Vince Vanity, Cyphon, Luke Vosper and Winnipeg, MN.
All That Scratching Is Making Me Itch is a en event curated by Stephen Mallinder featuring films by our students Aki Purser, Jedd Winterburn along with a fine selection of Scratch Video films, live music and more.
Two of our Level 5 students have received awards for their outstanding performance on the course as part of University of Brighton’s annual Student & Staff Celebration Event.The event is an opportunity for the University to thank their donors for their fantastic, generous support and to celebrate the achievements of students, Olivia Louvel has been awarded the Norman Cook Digital Music and Sound Arts Breakthrough Award and Louis Sterling an Employability Fund Award!
DMSA Alumni and current member of the DMSA team, Joshua Legallienne will be supporting the texan acid-folk duo (although this is a limiting label to their music) Charalambides on their Brighton concert at the Rose Hill on 24th November. Joshua will be performing a solo set for acoustic guitar which will be the perfect openenr for the duo’s hazy folk repertoire.
Charalambides founders Tom & Christina Carter dedicate themselves to a vision of iconoclastic music as transformative force. Touching on the outer limits of acid folk, psych rock, and improvisation, their sound remains uniquely personal & consistent. Formed in Houston in 1991, Charalambides has produced dozens of releases on labels like Siltbreeze, Time-Lag, Kranky, & their own imprint, Wholly Other. The duo will be touring in Europe in support of their forthcoming release, Proper, coming out in the autumn of 2018 with Drawing Room Records.
Please pop in to the opening event of Imagined Title Sequences by School of Media students, which will be running in rotation from 4.30-6.00pm this Thursday the 22nd in the foyer of Edward Street.
The project was produced in association with CINECITY The Brighton Film Festival. All of the sequences have been made by the BA Design for Digital Media students in Level 5. Some of the students have used footage kindly leant by Screen Archive South East and some of the sequences have been made in collaboration with Level 5 students on the BA Digital Music and Sound Arts course.
It will also be screened on Fri 23rd, Sat 24th & Mon 25th Nov 10am-5pm.
This friday 16th November, Stephen Mallinder will join Creative Sound & Music member and current PhD research Caleb Madden and artist and scholar Luke Pendrell for an event combining talks, perfrormative presentations and improvisation. Titled ‘Spectres, Xenofuturisms & The Antivoid #2’ the event will take place in the Performance Studio, between 3-4pm. It is free and no reservation is needed.