Jordan Edge and Joshua Legallienne (DMSA Team) will be among the invited artists to participate in this year’s Koumaria Residency.
Organised by intermedia collective Medea Electronique since 2009, the goal of the residency is the creation of an educational experience for the participants that will inspire and exalt their future work. The cross-cultural dialogues that the residency engenders both create new artistic speculations and smelt older assumptions. Past residents have formed lasting friendships and new artistic partnerships. Medea Electronique, being an eclectic art collective, is interested in people from diverse cultural and artistic backgrounds. For us the residency serves as a model for future creative endeavors.
More info: http://medeaelectronique.com/koumaria/#about
The 6th iteration of the soundcamp at Stave HIll Ecological Park will take place over the International Dawn Chorus Day weekend (4-5 May) with a program of live sounds of daybreak together with installations, walks, workshops and discussions exploring urban ecologies and sound.
The event is organised by Dr Maria Papadomanolaki and her colleagues at Soundcamp. This year it will also feature a new ‘Single-Material Performance’ by Joshua Legallienne (DMSA Team and DMSA alumni).
In Single-Material Performance, one or more performers manipulate a giant, bio-degradable plastic sheet to produce a range of complex sounds and rhythms. Due to the particular physical properties of the material, the sheet animates with very subtle changes in air pressure; causing the material to create sound as it interacts with itself. Performers respond to the fluctuations in air pressure by altering the form of the material to shape the sounds produced. The piece reveals the invisible and inaudible; sonifying infrasonic (sound waves below the lower limit of human audibility) variations in air pressure of the environment.
More info on the soundcamp project can be found here. The full program is here.
Visit is free. To camp please book a ticket here.
As part of the International Women’s Day 2019 campaign to #BalanceforBetter, Sound and Music showcase the profiles of 31 composers and their unique contributions to composition in the UK. Alumni Akiko Haruna and Guoda Dirzyte, current student Jade Gunner and DMSA Course Leader Dr Maria Papadomanolaki are profiled in the showcase that is part of the online archive of British Music Collection.
British Music Collection provides unparalleled access to the modern history of composition in the UK. Established in 1967 as a means for contemporary composers to deposit scores and recordings for performers to access, it now consists of almost 70,000 works and recordings from over 3000 20th and 21st century composers and sound artists.
The value in the collection is undeniable – providing access to over 50 years of contemporary composition – but it’s not without fault. The underrepresentation of female composers, or those who identify as female, across the original collection is stark, and a reminder of the progress that has been made, and must continue to happen, in and across new music.
Much of the British Music Collection now exists here online, and this provides a great opportunity to readdress this imbalance and the original aim of the collection: providing access to the work of contemporary composers.
20:00 | Fri 11 Jan 2019
All That Scratching Is Making Me Itch is a en event curated by Stephen Mallinder featuring films by our students Aki Purser, Jedd Winterburn along with a fine selection of Scratch Video films, live music and more.
This friday 16th November, Stephen Mallinder will join Creative Sound & Music member and current PhD research Caleb Madden and artist and scholar Luke Pendrell for an event combining talks, perfrormative presentations and improvisation. Titled ‘Spectres, Xenofuturisms & The Antivoid #2’ the event will take place in the Performance Studio, between 3-4pm. It is free and no reservation is needed.
Joshua Legallienne, DMSA Alumnus and currently member of our team, will be on tour in late October with UK sound artist Timothy Didymus. The two artists will present a series of acoustic sound performances in Vienna and Berlin. As part of the tour, Joshua and Timothy will be doing an hour of live sound on Kunstradio and Austrian Ö1 radio which will be broadcast online and accessible worldwide 28th October 23:00-00:00.
More info on the dates:
24/10 | VIENNA – ALTE SCHMIEDE:
28/10 | VIENNA – ORF Ö1:
01/11 SPEKTRUM BERLIN:
Professor Kelly Snook will be leading the 24-hour Creative Labs at MTF Stockholm in partnership with KTH Royal Institute of Technology.
Music Tech Fest is one of the world’s leading events on innovation, creative sound and music applications. You can read more here.
Dr Maria Papadomanolaki has recently launched the Creative Sound & Music Research and Enterprise Group, a new research initiative focusing on sound and music related research across different media, contexts and applications. The aim of the research group is to create an interdisciplinary forum within the School of Media and across the University of Brighton, where ideas and practices are brought in dialogue with a common goal to develop strategies for impactful, outward and community facing projects, student and staff collaborations and practice-based research.
By bringing together researchers and practitioners from the School of Media who carry expertise on various areas relating to sound and music, the REG has the following interrelated strands
1) Creative Sound and Music in Community contexts
2) Music, Popular Culture and Digital Media
3) Immersive Music and Audio Research
4) Audiovisual Media Research
The above strands aim to address the ongoing research and practice topics of its core members but to also open up to debates relating, among others, to ecology, community engagement, heritage, mental health and well being, gender studies, open source technologies, design and innovation. The REG builds upon partnerships with, among others, the Lighthouse, Our Future City, Wired Sussex, Brighton Digital Festival to host events that create awareness and impact around the group’s research topics.
More info can be found here.
The 5th edition of soundcamp will be taking place on the 5-6 May at Stave Hill Ecological Park in London. DMSA Course Leader Maria Papadomanolaki (co-curator of soundcamp and member of the SoundCamp collective) will be bringing a group of L4 students to the event. The students will have the opportunity to develop and present a project as part of the event in collaboration with Tom Fox of Vulpestruments/Hackoustic.
More info about the event
The fifth edition of Soundcamp will take place on the 5-6 May to coincide with the International Dawn Chorus Day.
During the event, Stave Hill Ecological Park becomes an audio observatory where visitors can
camp out overnight in the Stave Hill meadow and take part in a varied program of arts and ecology activities including:
Ecological survival games with Animal Diplomacy Bureau
Live 24 hour broadcast of daybreak around the earth
New sounds from Amazonia by Izabela Dluzyk
Site Specific interventions and installations by Alexandra Spence and Brigitte Hart, Tom Fox with students from University of Brighton’s Digital Music and Sound Arts course.
After dark performance by Noah Angell
Analogue photography: pinholes and cyanotypes with Ky Lewis.
Dawn chorus walk with David Darrell-Lambert, John Cadera, Richard Page-Jones
Workshops on DIY broadcasting, mixing, pit fired pottery, foraging, site tours, bat walk
Storytelling for Earthly Survival with Donna Haraway by Fabrizio Terranova
Food from Leon Lewis. Beer from Clarkshaws. Cake from The Dancing Baker. Coffee from the Lazy Coffee Van.
FULL PROGRAM TBA SHORTLY: http://soundtent.org/soundcamp_camp.html
Visiting is free, but please consider making a donation.
Camping is free for children. Adults need to book a camping ticket each.
Sign up for workshops on site.
Maria Papadomanolaki will be performing with Robin Rimbaud (aka Scanner) as part of Borderline Festival in Athens on the 21st of April 2018.
Does it make sense to talk about borders in music? How can you fence in sound, a physical phenomenon that travels through solids, liquids and gases alike? Can we get to grips with something that’s in a state of constant flux, with what dominates the here and now?
Starting out with these questions, Borderline invites us to surrender to the infinitude of sound and experience live music free of barriers and compartmentalization. Song and noise, composition and improvisation, live dj sets and sound installations, talks and other activities at the 8th iteration of the Athenian festival that continues to support experimentation, new collaborations and sonic quests of every sort. At the OCC and beyond.
More info: http://www.sgt.gr/eng/SPG2023/