OPENING NIGHT: All That Scratching Is Making Me Itch

ICA THEATRE
20:00 | Fri 11 Jan 2019
BOOK TICKETS

All That Scratching Is Making Me Itch is a en event curated by Stephen Mallinder featuring films by our students Aki Purser, Jedd Winterburn along with a fine selection of Scratch Video films, live music and more.

More info:
https://shortfilms.org.uk/lsff2019/events/2019-01-11-opening-night-all-that-scratching-is-making-me-itch

SPECTRES, XENOFUTURISMS & THE ANTIVOID #2

This friday 16th November, Stephen Mallinder will join Creative Sound & Music member and current PhD research Caleb Madden and artist and scholar Luke Pendrell for an event combining talks, perfrormative presentations and improvisation. Titled ‘Spectres, Xenofuturisms & The Antivoid #2’ the event will take place in the Performance Studio, between 3-4pm. It is free and no reservation is needed.

Joshua Legallienne On Tour

Joshua Legallienne, DMSA Alumnus and currently member of our team, will be on tour in late October with UK sound artist Timothy Didymus. The two artists will present a series of acoustic sound performances in Vienna and Berlin. As part of the tour, Joshua and Timothy will be doing an hour of live sound on Kunstradio and Austrian Ö1 radio which will be broadcast online and accessible worldwide 28th October 23:00-00:00.

More info on the dates:

24/10 | VIENNA – ALTE SCHMIEDE:
https://www.alte-schmiede.at/programm/2018-10-24-1900/

28/10 | VIENNA – ORF Ö1:
https://oe1.orf.at/programm/20181028/530674

and KUNSTRADIO.AT:
http://www.kunstradio.at/2018B/28_10_18.html

01/11 SPEKTRUM BERLIN:
https://spektrumberlin.de/events/detail/joshua-legallienne-timothy-didymus-500.html

Creative Sound & Music Research and Enterprise Group

Dr Maria Papadomanolaki has recently launched the Creative Sound & Music Research and Enterprise Group, a new research initiative focusing on sound and music related research across different media, contexts and applications. The aim of the research group is to create an interdisciplinary forum within the School of Media and across the University of Brighton, where ideas and practices are brought in dialogue with a common goal to develop strategies for impactful, outward and community facing projects, student and staff collaborations and practice-based research.

By bringing together researchers and practitioners from the School of Media who carry expertise on various areas relating to sound and music, the REG has the following interrelated strands
1) Creative Sound and Music in Community contexts
2) Music, Popular Culture and Digital Media
3) Immersive Music and Audio Research
4) Audiovisual Media Research

The above strands aim to address the ongoing research and practice topics of its core members but to also open up to debates relating, among others, to ecology, community engagement, heritage, mental health and well being, gender studies, open source technologies, design and innovation. The REG builds upon partnerships with, among others, the Lighthouse, Our Future City, Wired Sussex, Brighton Digital Festival to host events that create awareness and impact around the group’s research topics.

More info can be found here.

L4 Students to present work as part of Soundcamp 2018 | May 5-6

The 5th edition of soundcamp will be taking place on the 5-6 May at Stave Hill Ecological Park in London. DMSA Course Leader Maria Papadomanolaki (co-curator of soundcamp and member of the SoundCamp collective) will be bringing a group of L4 students to the event. The students will have the opportunity to develop and present a project as part of the event in collaboration with Tom Fox of Vulpestruments/Hackoustic.

More info about the event

The fifth edition of Soundcamp will take place on the 5-6 May to coincide with the International Dawn Chorus Day.

During the event, Stave Hill Ecological Park becomes an audio observatory where visitors can
camp out overnight in the Stave Hill meadow and take part in a varied program of arts and ecology activities including:

Ecological survival games with Animal Diplomacy Bureau
Live 24 hour broadcast of daybreak around the earth
New sounds from Amazonia by Izabela Dluzyk
Site Specific interventions and installations by Alexandra Spence and Brigitte Hart, Tom Fox with students from University of Brighton’s Digital Music and Sound Arts course.
After dark performance by Noah Angell
Analogue photography: pinholes and cyanotypes with Ky Lewis.
Dawn chorus walk with David Darrell-Lambert, John Cadera, Richard Page-Jones
Workshops on DIY broadcasting, mixing, pit fired pottery, foraging, site tours, bat walk

Storytelling for Earthly Survival with Donna Haraway by Fabrizio Terranova

Food from Leon Lewis. Beer from Clarkshaws. Cake from The Dancing Baker. Coffee from the Lazy Coffee Van.

FULL PROGRAM TBA SHORTLY: http://soundtent.org/soundcamp_camp.html

Visiting is free, but please consider making a donation.
Camping is free for children. Adults need to book a camping ticket each.
Sign up for workshops on site.

Borderline Festival 2018

Maria Papadomanolaki will be performing with Robin Rimbaud (aka Scanner) as part of Borderline Festival in Athens on the 21st of April 2018.

Does it make sense to talk about borders in music? How can you fence in sound, a physical phenomenon that travels through solids, liquids and gases alike? Can we get to grips with something that’s in a state of constant flux, with what dominates the here and now?

Starting out with these questions, Borderline invites us to surrender to the infinitude of sound and experience live music free of barriers and compartmentalization. Song and noise, composition and improvisation, live dj sets and sound installations, talks and other activities at the 8th iteration of the Athenian festival that continues to support experimentation, new collaborations and sonic quests of every sort. At the OCC and beyond.

More info: http://www.sgt.gr/eng/SPG2023/

Maria Papadomanolaki to participate in Tuned City Messene 2018

DMSA course leader and senior lecturer will be participating in this year’s Tuned City Messene 2018.

The event asks questions about listening and politics and has invited 50 international artists to work with the site and produce original works in response to it.

Tuned City’s previous milestones Berlin 2008, Tallinn 2011, and Brussels 2013 used to take place in central European metropolises. This year, Tuned City visits Ancient Messene May 31st – June 3rd and seeks out the exemplary ‘ideal city’, the ancient Greek polis.

‘The urban landscape of Messene was constructed in the Early Hellenistic era, according to certain architectural and town-planning principles of spatial organization, which reflected the political and social values of the period applied to the demands of this programmatic city founded by the Thebans in 369 B.C. on the south slopes of mount Ithome. The city was famous for its mighty fortification walls, the monumentality of its public buildings and the Hippodamian town-plan. The cityscape preserves evidence related to its successive constructional phases in the course of time from the 4th century BC to the 14th AD. The character of the landscape is defined and transformed by human activities and ideologies; it is a cultural product subject to constant re-interpretation.’ – Petros Themelis, director of the excavations

The archaeological site and active excavation with all it’s layers of history is the ideal place to reflect about ‘city as a construct‘ and explore the sensual aspects of space as well as social and political dimensions of the city.

What do we project on a site like this? How do we trace and preserve history and how does this shape contemporary and future culture identities? What lays underneath and in between the monumentalized obvious findings? How can we decode sedimented memories? What is the difference between local and distant, past and present modes of memory? How can we access or activate different modes of perception?

Listening seems passive, but it is an activity, a ‘silent production’, involving translation, decoding, abstraction, improvisation, the use of memory to recognize and connect elements from other things heard, subconscious filtering… The acoustic world surrounds us like the fabric of architecture in an urban city environment. Listening is a constant interaction.
Under this particular contingency, sound suggests a form of negotiation, listening partakes action, and hearing is always more than a simple perceiving of sound by the ear. With a focus on hearing’s emplacement and the pronounced situatedness of listening, Tuned City explores the ways in which oscillations enact a sense of place that also senses us back.
Each day of the proceedings will be focused around a central theme with the following provisional titles: Listening Politics, Media Matter, Spectral Ambience

Sound artists, performers and researchers meet for two weeks in the ancient place to establish a dialogue between the ruins that once hosted a vibrant city to be inspired by it’s conception and history, traces and findings and the special atmosphere. Questioning it’s proper function, and the different definitions of what an ideal city was and should be, the works range from sound installations, walks, lectures, concerts and participatory events.
Tuned City is going to listen underneath the surface and in between the obvious findings. In a weekend long event, the ancient Greek city of Messene will be transformed in to a vast platform for artistic production and presentation, discussion and intermediation of sound art and music in public spaces through a variety of site specific formats in a direct interrelation with the local context and a vital exchange with a local and international audience.

The invited artist will all present new commissioned works, among the confirmed artist and researchers are:

Petros G.Themelis (GR) / Savina Yannatou (GR) / Dimitris Tigkas (GR) / agf – Antye Greie Ripatti (DE/FI) / Yannis Kozantzas (GR) / Kosmas Koteas (GR) / Justin Bennett + Roelf Toxopeus – BMB con (NL) / noid (AT) / Gilles Aubry (CH/DE) / Nathalie Mba Bikoro (GA) / Hanna Hartman (SE/DE) / Dimitris Plantzos (GR) / Shannon Mattern (US) / Caitlin De Silvey (GB) / Douglas Kahn (AUS) / Eric Lewis (CA) / John Grzinich (US/EST) / Jens Brand (DE) / Raviv Ganchrow (US/IL/NL) / Els Viaene (BE) / Mario de Vega (MX) / Yann Leguay (BE) / Maria Papadomanolaki (GR/GB) / Michael Gallagher (GB) / Will Schrimshaw (GB) / Sylvain Perrot (FR) / Aggeliki Poulou (GR) / Marinos Koutsomichalis (GR) / Cevdet Erek (TR) / Steve Bates (CA) / ILIOS (GR) / Nikos Veliotis (GR) / Coti K (GR) / Martin Howse + (UK/D) + shiftregister / Marc-Alexandre Reinhardt & Eric Mattson (CA) / Vicky Bisbiki (GR) / Alexandros Drymonitis (GR) / Panos Amelides (GR) / Eleni Kavouki (GR) / Yiorgis Sakellariou (GR) / Stelios Giannoulakis (GR) / Rene Rissland (D) / Florian Tuercke (D) / Franziska Windisch (D) / Fernando Godoy (CL) / Nicolas Spencer (CL) / Christian Espinoza (CL) / Barbara Gonzales (CL) / Pablo Saavedra Arevalo (CL) and many more …

‘resounding’ – a new piece by Jean Martin to be premiered on April 6th

Jean Martin will be premiering ‘resounding’ a new piece for piano, vibraphone, and flute on 6 April at 7.30pm as part of the Broken Line event.

The performance will be held in St. Luke’s Church, Brighton

Musicians:
Adam Bushell (vibraphone/percussion), Adam Swayne (piano) and
Helen Whitaker (flute)

Programme
Vetrarþoka (Winter Fog) (2015) – Helgi Rafn Ingvarsson (b. 1985) – Trio
Vibra Elufa (2003) – Karlheinz Stockhausen (1928-2007) – solo vibes
Invisible Worlds (2009) – Nicholas S. Omiccioli (b. 1982) – flute & piano duet
Resounding (2018) – Jean Martin – Trio

Interval

Adagio from Sonata No.1 for violin, transcribed for alto flute – J. S. Bach
Broken Line (2006) – Alvin Lucier (b. 1931) – Trio
For Morty (1987) (- Christian Wolff (b. 1934) – piano & percussion duet
LRL Anthem (after Gopi Sander) (2017) – Dave Smith (b. 1949) – piano solo
Carillon ( 1998) – Martin Butler (b. 1960) – Trio

Professor Kelly Snook @ ReBalance initiative to support female artists and producers

Professor Kelly Snook has joined ReBalance, a three-year programme from Festival Republic in association with PRS Foundation. The initiative aims to support female-led bands and solo artists by offering studio recording time. Professor Snook will produce an EP for Liverpool-based artist Mary Gregson-Miller.

PRS Foundation, the UK’s leading charitable funder of new music and talent development, launched the initiative for women this year building on its Women Make Music fund, which began in 2011 to support the development of women songwriters and composers of all genres and backgrounds at different stages of their career. More info here.