This month’s feature welcomes third year student Jasmyn Bloch, a classiclally trained singer with an electronic music twist who through her explorations in our course developed new and engaging pathways of addressing issues such as voice, embodiment, femininity and the emotional affect of sound and music. Her upcoming multimedia installation entitled ‘FEMPORIS’ will be exhibited at this year’s degree show.
DMSA: Three important words that represent you as a creative person
JB: Feminine, intimate, emotional
DMSA: When did you start working with sound and music?
JB: I started working with sound at a very young age, experimenting with all sorts of different instruments, but nothing really stuck. My true musical beginnings started when I found my passion for Classical Singing; this was the portal through which I found what sound, and especially voice, meant to me and what it could communicate to others. I remember being gob smacked the first time I sang in front of an audience, because by the end of my performance a lot of the audience were crying. I always knew music effected my emotions deeply, but to see others react so vividly to something I had sung was a turning point, I knew then I had to work with my voice and my emotions.
DMSA: In what ways has the DMSA course supported or help you to develop into who you are today creatively and professionally?
JB: The DMSA course opened my eyes to a lot of experimental, more artistic ways of approaching music. Before this course I was well versed in more mainstream electronic music, but had no idea of the plethora of ways music and sound can be used, creatively and powerfully, to evoke emotions and create statements. During my time here I believe I have created projects that I will continue to work on well past my graduation, but also planted seeds of ideas for my future work and concepts.
DMSA: What are your plans for the near future? projects, events, visions
JB: I am currently working on a multimedia sound installation called Femporis, which is a conceptual womb piece that will be a part of the Brighton University Degree Show this June. This piece is an exploration into the soundscape of the womb, but also considers the concepts of safety, nurturing and rebirth. I hope to continue down this vein of feminine works and create a trilogy of pieces that are focused on the female body and voice. Post University I plan to create a platform for young female artists in Brighton, a website and bi-monthly exhibition space, where they can show their work and be a part of a supportive collective, showing female sound and artworks in a unified space.